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the dishonest man mend himself; if he mend, he is no longer dishonest: if he cannot, let the botcher mend him. Any thing that 's mended is but patched: virtue that transgresses is but patched with sin; and sin that amends is but patched with virtue. If that this simple syllogism will serve, so; if it will not, what remedy? As there is no true cuckold but calamity, so beauty's a flower. The lady bade take away the fool; therefore, I say again, take her away.
Oli. Sir, I bade them take away you.
Clo. Misprision in the highest degree! - Lady, cucullus non facit monachum : that's as much as to say, I wear not motley in my brain. Good madonna, give me leave to prove you a fool.
Oli. Can you do it?
Clo. I must catechize you for it, madonna. Good my mouse of virtue, answer me.
Oli. Well, Sir, for want of other idleness I 'll 'bide your proof.
Clo. Good madonna, why mourn'st thou? '
Clo. The more fool, madonna, to mourn for your brother's soul being in heaven. Take away the fool, gentlemen.
Oli. What think you of this fool, Malvolio? doth he not mend?
Mal. Yes; and shall do, till the pangs of death shake him: infirmity, that decays tħe wise, doth ever make the better fool.
Clo. God send you, Sir, a speedy infirmity, for the better increasing your folly! Sir Toby will be sworn that I am no fox, but he will not pass his word for two-pence that you are no fool.
Oli. How say you to that, Malvolio?
Mal. I marvel your ladyship takes delight in such a barren rascal: I saw him put down the other day with an ordinary fool, that has no more brain than a stone. Look you now, he's out of his guard already: upless you laugh and minister occasion to him,
he is gagged. I protest, I take these wise men, that crow so at these set kind of fools, no better than the fools' zanies.
Oli. O! you are sick of self-love, Malvolio, and taste with a distempered appetite. To be generous, guiltless, and of free disposition, is to take those things for bird-bolts, that you deem cannon-bullets. There is no slander in an allowed fool, though he do nothing but rail; nor no railing in a known discreet man, though he do nothing but reprove.
Clo. Now, Mercury endue thee with leasing, for thou speakest well of fools!
Re-enter MARIA. Mar. Madam, there is at the gate a young gentleman much desires to speak with you.
Oli. From the count Orsino, is it?
Mar. I know not, Madam : 't is a fair young man, and well attended.
Oli. Who of my people hold him in delay?
Oli. Fetch him off, I pray you: he speaks nothing but madman. Fie on him! [Exit Maria.] Go you, Malvolio: if it be a suit from the count, I am sick, or not at home; what you will, to dismiss it. [Exit MALVOLIO.] Now you see, Sir, how your fooling grows old, and people dislike it.
Clo. Thou hast spoke for us, madonna, as if thy eldest son should be a fool, whose skull Jove cram with brains; for here he comes, one of thy kin, has a most weak pia mater.
Enter Sir Toby Belch. Oli. By mine honour, half drunk. What is he at the gate, cousin ?
Sir To. A gentleman.
Sir To. 'T is a gentleman here. A plague o' these pickleherrings! - How now, sot?
Clo. Good Sir Toby,
Oli. Cousin, cousin, how have you come so early by this lethargy?
Sir To. Lechery! I defy lechery. There's one at the gate. Oli. Ay, marry; what is he?
Sir To. Let him be the devil, an he will, I care not: give me faith, say 1. Well, it's all one.
[Erit. Oli. What's a drunken man like, fool?
Clo. Like a drown'd man, a fool, and a madman: one draught above heat makes him a fool, the second mads him, and a third drowns him.
Oli. Go thou and seek the coroner, and let him sit o' my coz, for he's in the third degree of drink; he's drown'd: go, look after him.
Clo. He is but mad yet, madonna; and the fool shall look to the madman.
Re-enter MALVOLIO. Mal. Madam, yond young fellow swears he will speak with you. I told him you were sick: he takes on bim to understand so much, and therefore comes to speak with you. I told him you were asleep: he seems to have a fore-knowledge of that too, and therefore comes to speak with you. What is to be said to him, lady? he 's fortified against any denial.
Oli. Tell him, he shall not speak with me.
Mal. He has been told so; and he says, he 'll stand at your door like a sheriff's post, and be the supporter to a bench, but he 'll speak with you.
Oli. What kind of man is he?
Oli. Of what personage, and years is he?
Mal. Not yet old enough for a man, por young enough for a boy; as a squash is before 't is a peascod, or a codling when 't is almost an apple: 't is with him e'en standing water, between boy and man. He is very well-favoured, and he speaks very shrewishly: one would think, his mother's milk were scarce out of him.
Oli. Let him approach. Call in my gentlewoman.
Vio. Most radiant, exquisite, and unmatchable beauty. I pray you, tell me, if this be the lady of the house, for I never saw her: I would be loath to cast away my speech; for, besides that it is excellently well penned, I have taken great pains to con it. Good beauties, let me sustain no scorn; I am very comptible even to the least sinister usage.
Oli. Whence came you, Sir?
Vio. I can say little more than I have studied, and that question 's out of my part. Good gentle one, give me modest assurance if you be the lady of the house, that I may proceed in my speech.
Oli. Are you a comedian ?
Vio. No, my profound heart; and yet, by the very fangs of malice I swear, I am not that I play. Are you the lady of the house?
Oli. If I do not usurp myself, I am.
Vio. Most certain, if you are she, you do usurp yourself; for what is yours to bestow, is not yours to reserve. But this is from my commission. I will on with my speech in your praise, and then show you the heart of my message.
Oli. Come to what is important in 't: I forgive you the praise. Vio. Alas! I took great pains to study it, and 't is poetical.
Oli. It is the more like to be feigned: I pray you, keep it in. I heard, you were saucy at my gates, and allowed your approach, rather to wonder at you than to hear you. If you be not mad, be gone; if you have reason, be brief: 't is not that time of moon with me to make one in so skipping a dialogue. Mar. Will you hoist sail, Sir? here lies your way.
Vio. No, good swabber; I am to hull here a little longer. Some mollification for your giant, sweet lady. Tell me your miod: I am a messenger.
Oli. Sure, you have some hideous matter to deliver, when the courtesy of it is so fearful. Speak your office.
Vio. It alone concerns your ear. I bring no overture of war, no taxation of homage. I hold the olive in my hand: my words are as full of peace as matter.
Oli. Yet you began rudely. What are you? what would you?
Vio. The rudeness that hath appear'd in me, have I learn'd from my entertainment. What I am, and what I would, are as secret as maidenhead: to your ears, divinity; to any other's, profanation.
Oli. Give us the place alone. We will hear this divinity. [Exit. Maria.] Now, Sir; what is your text?
Vio. Most sweet lady,
Oli. A comfortable doctrine, and much may be said of it. Where lies your text?
Vio. In Orsino's bosom.
Vio. Good Madam, let me see your face.
Oli. Have you any commission from your lord to negociate with my face? you are now out of your text: but we will draw the curtain, and show you the picture. Look you, Sir; such a one I was this present: is 't not well done?
[Unveiling. Vio. Excellently done, if God did all. Oli. 'T is in grain, Sir: 't will endure wind and weather.
Vio. 'T is beauty truly blent, whose red and white
, you are the cruell'st she alive,
Oli. 0! Sir, I will not be so hard-hearted. I will give out divers schedules of my beauty: it shall be inventoried, and every