Papers Read at the Royal Institute of British ArchitectsThe Institute., 1859 |
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Página 9
... principles on which this was done by the Greeks who flourished between the fifth and the second centuries B.C. , -it may very fairly be questioned whether that unrivalled sculptor did not rather restrain the use of colour , among those ...
... principles on which this was done by the Greeks who flourished between the fifth and the second centuries B.C. , -it may very fairly be questioned whether that unrivalled sculptor did not rather restrain the use of colour , among those ...
Página 11
... principle and not from caprice , represented their horses in action ; and the principle was a sound one , because the body of a horse with a man upon it was in the whole a heavy and cumbrous mass , and to place two such masses upon four ...
... principle and not from caprice , represented their horses in action ; and the principle was a sound one , because the body of a horse with a man upon it was in the whole a heavy and cumbrous mass , and to place two such masses upon four ...
Página 13
... principles by which it was regulated at a period when it was practised under healthier and happier influences ; it must be some document which should throw light on the professional cha- racter , the method and objects of study , the ...
... principles by which it was regulated at a period when it was practised under healthier and happier influences ; it must be some document which should throw light on the professional cha- racter , the method and objects of study , the ...
Página 14
... principles of masonry and con- struction in carpentry ; you will also find in it , the method of drawing the figure as geometry commands and enjoins . " Under the first head , Mechanical Contrivances , we have a saw - mill moved by ...
... principles of masonry and con- struction in carpentry ; you will also find in it , the method of drawing the figure as geometry commands and enjoins . " Under the first head , Mechanical Contrivances , we have a saw - mill moved by ...
Página 15
... principles . As an artist , he adds the finest feeling in design , in some instances , to the most enviable skill in draughtsmanship ; the con- ception just , appropriate , and spirituelle , expressed by the outline firm , vigorous ...
... principles . As an artist , he adds the finest feeling in design , in some instances , to the most enviable skill in draughtsmanship ; the con- ception just , appropriate , and spirituelle , expressed by the outline firm , vigorous ...
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adopted ancient Angel appear arches Architect architecture arrangement artist Associate beautiful Bedford Bloomsbury Square Boulevard breadth British Architects building C. R. COCKERELL canon Caria Carlton Chambers Cathedral centre character Charing Cross CHARLES CHARLES BARRY Church columns considered construction Contributing Visitors cost Council cupola decoration diameter DIGBY WYATT ditto dome DONALDSON drawings effect entablature erected examples executed exhibited feet Fellow figure francs front Furnival's Inn geometric GEORGE Gothic Greek height HERR Honorary improvements Institute of British interior JOHN London Bridge marble Mausolus Medal Mediæval Members metres metropolis Metropolitan monument ornament Owen Jones painting Palace Paris Park Parthenon Paul's Peruzzi Peter's Place present principle proportions Railway ratio Regent Street remarkable Road Roman Rome Royal Gold Medal Royal Institute Royal Medal Russell Square sculpture sphinx statues stone stylobate Tabularium Temple Thames tomb traffic Vitruvius walls West Westminster WILLIAM wings Wren Wren's