For the Love of God: The Bible as an Open BookChoice Outstanding Academic Title of 2008 Alicia Ostriker named to Moment Magazine's list of Ten Great Jewish Poets, 2011 Quoting King Solomon's famous prayer to God at the Temple in Jerusalem, "Behold, the heaven of heavens cannot contain thee; how much less this house that I have builded," Alicia Suskin Ostriker posits a God who cannot be contained by dogma and doctrine. Troubled by the way the Bible has become identified in our culture with a monolithic authoritarianism, Ostriker focuses instead on the extraordinary variability of Biblical writing.For the Love of God is a provocative and inspiring re-interpretation of six essential Biblical texts: The Song of Songs, the Book of Ruth, Psalms, Ecclesiastes, Jonah, and Job. In prose that is personal and probing, analytically acute and compellingly readable, Ostriker sees these writings as "counter-texts," deviating from convention yet deepening and enriching the Bible, our images of God, and our own potential spiritual lives. Attempting to understand "some of the wildest, strangest, most splendid writing in Western tradition," she shows how the Bible embraces sexuality and skepticism, boundary crossing and challenges to authority, how it illuminates the human psyche and mirrors our own violent times, and how it asks us to make difficult choices in the quest for justice. For better or worse, our society is wedded to the Bible. But according to Talmud, "There is always another interpretation." Ostriker demonstrates that the Bible, unlike its reputation, offers a plenitude of surprises. |
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We need this sort of wisdom in our rulers; we need a God who can encourage fewer crusades, jihads, occupations, massacres, and assassinations, and more treaties; a God whose primary metaphors are not hierarchical, imperialistic, ...
These images, these gestures, these metaphors. We see through a glass darkly, as St. Paul says. The Song of Songs, the Book of Ruth, Psalms, Jonah, Ecclesiastes, and Job can lead us, at least, to know that there are many ways of ...
The remainder of the Song is essentially an erotic sequence of lyric dialogues between two young lovers who yearn for, recall, invite, and celebrate each other's caresses in language ripe with metaphors that are both explicit and ...
Among its many literary qualities, the most pervasively counter-textual is the Song's cascade of metaphors. For metaphoric language is the opposite of legal language, and legal The Song of Songs 25.
Law strives for maximum precision; metaphor pulls away from precision and toward fluidity. Eluding fixity, metaphor produces not definitions but indefinite ripples of meaning. Due to the extraordinarily rich layering of metaphor in the ...
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Contenido
9 | |
The Book of Ruth and the Love of the Land | 34 |
A Personal Interlude | 55 |
Ecclesiastes As Witness | 76 |
The Book of the Question | 99 |
The Open Book | 120 |
Afterword | 143 |
Some Further Reading | 147 |
Notes | 153 |