For the Love of God: The Bible as an Open BookChoice Outstanding Academic Title of 2008 Alicia Ostriker named to Moment Magazine's list of Ten Great Jewish Poets, 2011 Quoting King Solomon's famous prayer to God at the Temple in Jerusalem, "Behold, the heaven of heavens cannot contain thee; how much less this house that I have builded," Alicia Suskin Ostriker posits a God who cannot be contained by dogma and doctrine. Troubled by the way the Bible has become identified in our culture with a monolithic authoritarianism, Ostriker focuses instead on the extraordinary variability of Biblical writing.For the Love of God is a provocative and inspiring re-interpretation of six essential Biblical texts: The Song of Songs, the Book of Ruth, Psalms, Ecclesiastes, Jonah, and Job. In prose that is personal and probing, analytically acute and compellingly readable, Ostriker sees these writings as "counter-texts," deviating from convention yet deepening and enriching the Bible, our images of God, and our own potential spiritual lives. Attempting to understand "some of the wildest, strangest, most splendid writing in Western tradition," she shows how the Bible embraces sexuality and skepticism, boundary crossing and challenges to authority, how it illuminates the human psyche and mirrors our own violent times, and how it asks us to make difficult choices in the quest for justice. For better or worse, our society is wedded to the Bible. But according to Talmud, "There is always another interpretation." Ostriker demonstrates that the Bible, unlike its reputation, offers a plenitude of surprises. |
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... Arthur Waskow, Gerald Stern, C. K. Williams, Arthur Strimling, and Eric Selinger have encouraged me to remember that I am not alone, that many others are engaged in the enterprise of re-imagining our sacred texts and traditions.
... at its apparently sacrilegious presence in scripture; God is never mentioned once in it; yet the great rabbi Akiba declared the Song “a holy of holies.” By both Jews and Christians, the Song has been interpreted as a sacred text.
What is this most erotic sequence of poems doing in sacred scripture? The question is an ancient one, and it raises the larger question of what we mean—or might mean—by “sacredness,” by “scripture,” and by “the erotic.
If elsewhere we must divide the “sacred” from the “secular,” that division is annihilated in the Song. Here, for once, it becomes meaningless. In addition, the Song is extraordinary not only because of its sexual content but because its ...
This tells us that in the same epoch as the Song was declared sacred, worthy of being part of the Bible, it was declared off- limits for a secular interpretation. The text of the Song has been construed in rabbinic commentary for two ...
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Contenido
9 | |
The Book of Ruth and the Love of the Land | 34 |
A Personal Interlude | 55 |
Ecclesiastes As Witness | 76 |
The Book of the Question | 99 |
The Open Book | 120 |
Afterword | 143 |
Some Further Reading | 147 |
Notes | 153 |