Ernest Buckler: Rediscovery and Reassessment

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Wilfrid Laurier Univ. Press, 2001 M09 14 - 279 páginas

Margaret Atwood called Ernest Buckler “one of the pathbreakers for the modern Canadian novel,” yet he has slipped into relative obscurity. This new book by Marta Dvořák, Ernest Buckler: Rediscovery and Reassessment breaks new ground in Canadian literary studies by analyzing some of Buckler’s works that have remained unknown or unexplored by critics, and by addressing the formalistic innovations of these texts. It allows a general readership to discover — and an international specialized readership to reassess — the wide, even eclectic scope of an author best known for his first novel, The Mountain and the Valley.

Marta Dvořák situates Buckler firmly within his cultural and intellectual environment. She argues the importance of his connections with Emerson and the American transcendental milieu, and demonstrates his links with Romantics such as Schopenhauer and Shelley and modernists like Joyce, Faulkner, and Mansfield, as well as intellectuals from Aristotle to Aquinas. She explores his philosophical vision and his complex, adventurous relationship with language. Extracts from Buckler’s published and unpublished material juxtaposed with those from a wide range of writers (from Henry James to Foucault) offer new illuminating perspectives.

The progressive structure of the book will draw readers in to discussions on shared concerns: the nostalgia for a vanished past, the relationship between family and community, the rural and the urban, or the questioning of, and coming to terms with, ethics and the social fabric of today’s rapidly changing technological horizon in which traditional values are eroding.

Dentro del libro

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Contenido

Introduction
1
Part One
13
Part Two
61
Conclusion
229
Notes
233
Works Cited
249
Appendix
261
Index
271
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Página 71 - We live in succession, in division, in parts, in particles. Meantime within man is the soul of the whole; the wise silence; the universal beauty, to which every part and particle is equally related; the eternal ONE.
Página 134 - Poetry is not like reasoning, a power to be exerted according to the determination of the will. A man cannot say, I will compose poetry ! The greatest poet even cannot say it, for the mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness...
Página 78 - The eye is the first circle; the horizon which it forms is the second; and throughout nature this primary figure is repeated without end. It is the highest emblem in the cipher of the world. St. Augustine described the nature of God as a circle whose centre was everywhere and its circumference nowhere.
Página 130 - The charming landscape which I saw this morning, is indubitably made up of some twenty or thirty farms. Miller owns this field, Locke that, and Manning the woodland beyond. But none of them owns the landscape. There is a property in the horizon which no man has but he whose eye can integrate all the parts, that is, the poet.
Página 134 - What is a farm but a mute gospel ? The chaff and the wheat, weeds and plants, blight, rain, insects, sun, — it is a sacred emblem from the first furrow of spring to the last stack which the snow of winter overtakes in the fields.
Página 7 - ... drive flocks of stormy clouds, and leave no wrinkle or stain? how much industry and providence and affection we have caught from the pantomime of brutes? What a searching preacher of selfcommand is the varying phenomenon of Health ! Herein is especially apprehended the Unity of Nature, — the Unity in Variety, — which meets us everywhere.
Página 129 - But, temporal or spatial, the esthetic image is first luminously apprehended as selfbounded and selfcontained upon the immeasurable background of space or time which is not it.
Página 68 - And lovely apparitions, — dim at first, Then radiant, as the mind arising bright From the embrace of beauty (whence the forms Of which these are the phantoms) casts on them The gathered rays which are reality — Shall visit us, the progeny immortal Of Painting, Sculpture, and rapt Poesy, And arts, though unimagined, yet to be...
Página 3 - OUR age is retrospective. It builds the sepulchres of the fathers. It writes biographies, histories, and criticism. The foregoing generations beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe?
Página 63 - The greatest delight which the fields and woods minister, is the suggestion of an occult relation between man and the vegetable. I am not alone and unacknowledged. They nod to me, and I to them.

Acerca del autor (2001)

Marta Dvořák is professor of Canadian and postcolonial literatures in English at the Sorbonne Nouvelle, former associate editor of The International Journal of Canadian Studies, and editor of Commonwealth Essays and Studies. Focusing her research on (post)modernism and cross-culturalism, she has authored and edited books ranging from Ernest Buckler: Rediscovery and Reassessment (WLU Press, 2001) to Tropes and Territories: Short Fiction, Postcolonial Readings, and Canadian Writings in Context (co-ed. W.H. New) and The Faces of Carnival in Anita Desai’s In Custody.

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