Imagination and Fancy: Or, Selections from the English Poets, Illustrative of Those First Requisites of Their Art; with Markings of the Best Passages, Critical Notices of the Writers, and an Essay in Answer to the Question, "What is Poetry?"Wiley and Putnam, 1845 - 255 páginas |
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Página 1
... feeling , which is more or less shared by all the world , but as the operation of that feeling , such as we see it in the poet's book , is the utterance of a pas- sion for truth , beauty and power , embodying and illustrating its ...
... feeling , which is more or less shared by all the world , but as the operation of that feeling , such as we see it in the poet's book , is the utterance of a pas- sion for truth , beauty and power , embodying and illustrating its ...
Página 2
... feeling of their truth in its utmost convic . tion and affluence . It illustrates them by fancy , which is a lighter play of imagi- nation , or the feeling of analogy coming short of seriousness , in order that it may laugh with what it ...
... feeling of their truth in its utmost convic . tion and affluence . It illustrates them by fancy , which is a lighter play of imagi- nation , or the feeling of analogy coming short of seriousness , in order that it may laugh with what it ...
Página 3
... feeling is the earliest teacher , and perception the only final proof , of things the most demonstrable by science , so the remotest imaginations of the poets may often be found to have the closest connexion with matter of fact ...
... feeling is the earliest teacher , and perception the only final proof , of things the most demonstrable by science , so the remotest imaginations of the poets may often be found to have the closest connexion with matter of fact ...
Página 7
... feeling and music . The very smoothness and gentleness of the limbs is in the series of the let- ter l's . I am aware of nothing of the kind surpassing the most lovely inclusion of physical beauty in moral , neither can I call to mind ...
... feeling and music . The very smoothness and gentleness of the limbs is in the series of the let- ter l's . I am aware of nothing of the kind surpassing the most lovely inclusion of physical beauty in moral , neither can I call to mind ...
Página 16
... feeling , says Homer , " desire " for his father in his very " limbs . " He joins in grief with the venerable sufferer , and can no longer withstand the look of " his great head and his grey chin . " Observe the exquisite introduction ...
... feeling , says Homer , " desire " for his father in his very " limbs . " He joins in grief with the venerable sufferer , and can no longer withstand the look of " his great head and his grey chin . " Observe the exquisite introduction ...
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Ariel auld Beaumont and Fletcher beauty Ben Jonson bless breath bright Burns's Caliban character charm Chaucer dear death delight divine doth dream earth Ellisland eyes Faerie Queene fair fairy fancy fear feeling flowers frae genius grace hand happy hath head hear heard heart heaven Hector Macneil hour human imagination inspired knew labor lady light live look lord Lycidas Macbeth melancholy Milton mind mirth moon moral morning Mossgiel muse nature never night noble o'er OBERON passage passion perhaps pity pleasure poem poet poet's poetical poetry poor pride rhyme Robert Burns round Scotland Shakspeare sing sleep song soul sound Spenser spirit stanza sugh sweet Sycorax Tamburlaine tears tell thee Theoph things thou art thought TITANIA tree truth verse voice wanton Whyles William Burnes wind witch wood words young youth