For you harken on your right hand In the greenwood, out of sight and And the squirrels crack the filberts through their cheerful madrigal. On your left the sheep are cropping And five apple-trees stand dropping Separate shadows towards the vale Over which, in choral silence, the hills look you their "All hail ! " Far out, kindled by each other, Close as brother leans to brother When they press beneath the eyes Of some father praying blessings from the gifts of paradise. While beyond, above them mounted, Malvern hills, for mountains counted Not unduly, loom a-row Keepers of Piers Plowman's visions through the sunshine and the snow. Yet, in childhood, little prized I 'T was a straight walk unadvised by The least mischief worth a nay; Up and down-as dull as grammar on the eve of holiday. But the wood, all close and clenching, No more sky (for over-branching) Oh, the wood drew me within it by a glamour past dispute ! Few and broken paths showed through it, Forced with snowy wool to strew it Round the thickets, when anon They, with silly thorn-pricked noses, bleated back into the sun. But my childish heart beat stronger Sheep for sheep-paths! braver children climb and creep where they would go. And the poets wander (said I) Over places all as rude : Sat to meet him in a wood : Rosalinda, like a fountain, laughed out pure with solitude. And if Chaucer had not travelled Through a forest by a well, He had never dreamt nor marvelled At those ladies fair and fell Who lived smiling without loving in their island-citadel. Thus I thought of the old singers, And took courage from their song, Of the brambles which entrapped me, and the barrier branches strong. On a day, such pastime keeping, Under-crawling, overleaping Thorns that prick and boughs that bear, I stood suddenly astonied-I was gladdened unaware. From the place I stood in, floated And the open ground was coated Carpet-smooth with grass and moss, And the blue-bell's purple presence signed it worthily across. Here a linden-tree stood, bright'ning All adown its silver rind; For as some trees draw the lightning, So this tree, unto my mind, Drew to earth the blessed sunshine from the sky where it was shrined. Tall the linden-tree, and near it And wood-ivy like a spirit Hovered dimly round the two, Shaping thence that bower of beauty which I sing of thus to you. 'T was a bower for garden fitter Though a fresh and dewy glitter Struck it through from side to side, Shaped and shaven was the freshness, as by gardencunning plied. Oh, a lady might have come there, Hooded fairly like her hawk, With a book or lute in summer, And a hope of sweeter talk,—— Listening less to her own music than for footsteps on the walk! But that bower appeared a marvel In the wildness of the place; With such seeming art and travail, Finely fixed and fitted was Leaf to leaf, the dark-green ivy, to the summit from the base. And the ivy veined and glossy And the large-leaved columbine, Arch of door and window-mullion, did right sylvanly entwine. Rose-trees either side the door were Each one set, a summer warder For the keeping of the hall,— With a red rose and a white rose, leaning, nodding at the wall. As I entered, mosses hushing Clasped within the linden's root, Took me in a chair of silence very rare and absolute. All the floor was paved with glory, Greenly, silently inlaid. (Through quick motions made before me) With fair counterparts in shade Of the fair serrated ivy-leaves which slanted overhead. "Is such a pavement in a palace? Threw within a red libation, like an doubt. At the same time, on the linen Of my childish lap there fell answer to my Two white may-leaves, downward winning From a blossom, like an angel, out of sight yet blessing well. Down to floor and up to ceiling Quick I turned my childish face, For the secret of the place To the trees, which surely knew it in partaking of the grace. Where's no foot of human creature Why has nature turned so bland, Breaking off from other wild-work? understand. It was hard to Was she weary of rough-doing, Did she pause in tender rueing Here of all her sylvan scorn? Or in mock of art's deceiving was the sudden mildness worn? Or could this same bower (I fancied) Be the work of Dryad strong, |