The Religion and Film ReaderJolyon P. Mitchell, S. Brent Plate Routledge, 2007 - 470 páginas Edited by leading experts in the field, The Film and Religion Reader brings together the key writings in this exciting and dynamic discipline. In over sixty interviews, essays and reviews from numerous directors, film critics and scholars, this eagerly anticipated anthology offers the most complete survey of this emerging field to date. Film is now widely studied and researched in theology and religious studies departments, The Film and Religion Reader is therefore ideal for students and researchers, introduced and organized into the following thematic and chronological sections, each with an introduction by the editors:
This Reader brings together a huge amount of material in a student-friendly format and will be an invaluable resource for courses within both theology and religious studies. |
Dentro del libro
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... camera eye , its lenses grounded to achieve nineteenth - century Western compositional perspective ( as best exemplified by the nineteenth- century architectural conglomeration of details of the " classic " ruin ) in bend- ing the light ...
... camera in the courts where the sentences were being delivered and hoped to film the faces of both accusers and accused . Getting permission for such a project was difficult , and was eventually granted as late as August 1982 . The camera ...
... camera cannot see very far into per- sonal interior realities ; as witness and narrator , the best the camera can do is suggest the tangled psychic realities that contend and roil within mind and soul . But astonishment , anguish ...
Contenido
PART | 4 |
Introduction | 9 |
Percy Stickney Grant | 27 |
Derechos de autor | |
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