Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
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... Acmeist polemic also involved a rejection of the brittle meta- physics of much of the poetry produced by the Russian ... [ Acmeism's active love of literature ] was precisely a change in taste , the indomitable will to create a man ...
... Acmeism " [ 1913 ] , p . 41 ) The life of the Russian language in Russian historical reality outweighs all other facts in the abundance of its properties , in the abundance of its being . Such abundance appears to all the other ...
... Acmeist “ love for the organism and for organization " in " Morning of Acmeism " ( p . 42 ) . In what does this strange love actually consist ? That which is organic is born , not made ; growing , metabolizing organisms have no built ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |