Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
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... Velimir Khlebnikov to the question of a future cultural literacy . In a discussion of the politics of poetic language in Russia , I show how Kliuev in his inscriptions wishes to maintain the material presence of the peasantry within ...
... Velimir Khlebnikov ) is a concern about the degree to which the very medium of poetic appellations and projections — for them , the Russian language itself — could both accommodate the proliferation of new discourses and preserve the ...
... Khlebnikov that lists and explains some of his discoveries around the letters M , V , K , and S ( in Snake Train : Poetry and Prose , ed . Gary Kern , trans . Gary Kern et al . [ Ann Arbor : Ardis , 1976 ] , pp . 201–206 ) . 69. Velimir ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |