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Página 376
It is difficult to evaluate any radically new movement in art , whether it is pop art or absurd theatre . Just how does one set up esthetic criteria , which are derived from past works , to judge new forms in any area , forms that may ...
It is difficult to evaluate any radically new movement in art , whether it is pop art or absurd theatre . Just how does one set up esthetic criteria , which are derived from past works , to judge new forms in any area , forms that may ...
Página 431
well as in the medieval mystery play and the baroque auto sacramental , the ultimate realities concerned were generally known and universally accepted metaphysical systems , while the Theatre of the Absurd expresses the absence of any ...
well as in the medieval mystery play and the baroque auto sacramental , the ultimate realities concerned were generally known and universally accepted metaphysical systems , while the Theatre of the Absurd expresses the absence of any ...
Página 450
This divorce between man and his life , the actor and his setting , truly constitutes the feeling of absurdity . I think it is absurd to take anyone — even Camus — for an authority on the " absurd . ” And , in fact , the quotation above ...
This divorce between man and his life , the actor and his setting , truly constitutes the feeling of absurdity . I think it is absurd to take anyone — even Camus — for an authority on the " absurd . ” And , in fact , the quotation above ...
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Contenido
The Scope of Swifts Satire | 3 |
Ambiguity and Mystery in Hawthorne | 25 |
Jaundiced Eye | 41 |
Derechos de autor | |
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Términos y frases comunes
Abraham Absurd ANDERSON ANTIGONE arms asked ASLAKSEN beauty believe better BILLING brother BURGOMASTER BURGOYNE called child close comes course CREON criticism dead dear death door DUDGEON ESSIE expression eyes face fact faith father fear feel follow Francis give goes hand head hear heard heart hold HOVSTAD human Isaac JONATHAN JUDITH Julia keep leave light live look MADAME matter mean mind MORTEN mother move nature never night once passed perhaps PETRA play poem poetry present question RICHARD ROSALIE seems sense side soul speak stand STOCKMANN story sure SWINDON tell thee thing thou thought town true truth turn understand voice walks whole young
Información bibliográfica
| Título | Controversy in Literature: Fiction, Drama, and Poetry, with Related Criticism |
| Editores | Morris Freedman, Paul Benjamin Davis |
| Compilado por | Morris Freedman, Paul Benjamin Davis |
| Editor | Scribner, 1968 |
| Procedencia del original | Universidad de California |
| Digitalizado | 7 Ago. 2007 |
| Largo | 750 páginas |
| Exportar cita | BiBTeX EndNote RefMan |