Boston Symphony Orchestra, Volumen90Boston Symphony Orchestra., 1971 |
Dentro del libro
Resultados 1-3 de 82
Página 218
... flute which here first emerges as a solo instrument . In the Rondo , which is an unusual form with Bach , the voice of the flute is matched with the strings . In the Sarabande , the cellos follow the flute theme in canonic imitation ...
... flute which here first emerges as a solo instrument . In the Rondo , which is an unusual form with Bach , the voice of the flute is matched with the strings . In the Sarabande , the cellos follow the flute theme in canonic imitation ...
Página 220
... flute which here first emerges as a solo instrument . In the Rondo , which is an unusual form with Bach , the voice of the flute is matched with the strings . In the Sarabande , the cellos follow the flute theme in canonic imitation ...
... flute which here first emerges as a solo instrument . In the Rondo , which is an unusual form with Bach , the voice of the flute is matched with the strings . In the Sarabande , the cellos follow the flute theme in canonic imitation ...
Página 225
... flute which here first emerges as a solo instrument . In the Rondo , which is an unusual form with Bach , the voice of the flute is matched with the strings . In the Sarabande , the cellos follow the flute theme in canonic imitation ...
... flute which here first emerges as a solo instrument . In the Rondo , which is an unusual form with Bach , the voice of the flute is matched with the strings . In the Sarabande , the cellos follow the flute theme in canonic imitation ...
Contenido
BOSTON | 30 |
Program for September 25 26 29 and October 1 1970 11 | 58 |
Program for October 2 and 3 1970 | 75 |
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