The Logic of LiteratureIndiana University Press, 1973 - 369 páginas |
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Página 5
... experience . It is this presentational form which orients and directs our experience - even as a historical work , for example , or a scientific textbook is apprehended by us in different fashion from a novel . We experience the lyric ...
... experience . It is this presentational form which orients and directs our experience - even as a historical work , for example , or a scientific textbook is apprehended by us in different fashion from a novel . We experience the lyric ...
Página 86
... experience , and , as we will not hesitate to add , with the author's own creative experience ? What is the experience of remembrance in its autochthonous sense ? Memory is primarily linked with our self - experience . I can remember ...
... experience , and , as we will not hesitate to add , with the author's own creative experience ? What is the experience of remembrance in its autochthonous sense ? Memory is primarily linked with our self - experience . I can remember ...
Página 277
... experience [ Erlebnis ] , or respectively experience - field . Erlebnislyrik is a historically conditioned concept which stems from Dilthey's psychological theory of literature , and which is a popular designation for the lyric poetry ...
... experience [ Erlebnis ] , or respectively experience - field . Erlebnislyrik is a historically conditioned concept which stems from Dilthey's psychological theory of literature , and which is a popular designation for the lyric poetry ...
Contenido
The Concept and Objectives of | 1 |
Foundations in Theory of Language | 8 |
The Statement System of Language | 23 |
Derechos de autor | |
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Términos y frases comunes
adverbs aesthetic appear Aristotle ballad becomes Bolognese dog character concept context creative deictic demonstrate depicted designate dialogue Emil Staiger epic fiction epistemological epistolary novel example existence experience experience-field expression fact feigned fictional narration fictive persons film first-person form first-person narrative first-person novel genre genuine Goethe grammatical Hegel historical present Ingarden inner action interpretation judgment latter linguistic literary logic of literature lyric poem lyric poetry lyric statement means ment mental representation mimesis mimetic namely narrated monologue narrative act narrative function narrative literature nevertheless non-reality object object-pole occur passage past tense past-ness phenomena phenomenology phenomenon poet poetic portrayed precisely present tense presentify preterite problem question real I-Origo reality statement realm reference relation render respect role poem semblance sense sentence situation spatial speak stage statement-subject statement-system straight narration system of literature temporal theory of language third-person third-person narrative Thomas Mann tion verbs of inner Wilhelm words