The English Reader: Or, Pieces in Prose and Verse, Selected from the Best Writers ...Stereotyped, printed and published by H. and E. Phinney, 1829 - 252 páginas |
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Página 5
... sound , with the key or note in which we speak . There is a variety of sound within the compass of each key . A speaker may there- fore render his voice louder , without altering the key : and we shall always be able to give most body ...
... sound , with the key or note in which we speak . There is a variety of sound within the compass of each key . A speaker may there- fore render his voice louder , without altering the key : and we shall always be able to give most body ...
Página 6
... sound which the best usage of the language appropriates to it ; in opposition to broad , vul- gar , or provincial pronunciation . This is requisite both for reading intelligi bly , and for reading with correctness and ease ...
... sound which the best usage of the language appropriates to it ; in opposition to broad , vul- gar , or provincial pronunciation . This is requisite both for reading intelligi bly , and for reading with correctness and ease ...
Página 8
... sound judgment and cor- rect taste . It will doubtless have different degrees of exertion , according to the greater or less degree of importance of the words upon which it operates ; and there may be very properly some variety in the ...
... sound judgment and cor- rect taste . It will doubtless have different degrees of exertion , according to the greater or less degree of importance of the words upon which it operates ; and there may be very properly some variety in the ...
Página 10
... sound ; and that the understanding may have sufficien : time to mark the distinction of sentences , and their several members . There are two kinds of pauses : first , emphatical pauses ; and next , such as mark the distinctions of ...
... sound ; and that the understanding may have sufficien : time to mark the distinction of sentences , and their several members . There are two kinds of pauses : first , emphatical pauses ; and next , such as mark the distinctions of ...
Página 12
... sound , as may distinguish the passage from one line to another , without injuring the meaning . The other kind of melodious pause , is that which falls somewhere about the middle of the verse , and divides it into two hemistichs ; a ...
... sound , as may distinguish the passage from one line to another , without injuring the meaning . The other kind of melodious pause , is that which falls somewhere about the middle of the verse , and divides it into two hemistichs ; a ...
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Antiparos appear Archbishop of Cambray attention Bayle beauty behold BLAIR blessing bliss breast Caius Verres cheerful dark death delight Democritus Dioclesian distress divine dread earth enjoy enjoyment envy eternal ev'ry evil eyes father favour fear feel folly fortune friendship Fundanus give ground hand happiness hast Hazael heart heav'n HERACLITUS honour hope human indulge Jugurtha kind king labours live look Lord mankind mercy Micipsa midst mind misery mount Etna nature nature's never night noble Numidia o'er pain Pamphylia passions pause peace perfect person pleasures possession pow'r praise pride prince proper Pythias racter religion render rest rich rise scene SECTION sense shade shine Sicily smiles solitude sorrow soul sound spect spirit spring sweet tears temper tempest thee things thou art thought tion truth Tuning sweet vanity virtue virtuous voice wisdom wise youth