Shakespeare Adaptations from the Restoration: Five PlaysBarbara A. Murray Fairleigh Dickinson Univ Press, 2005 - 556 páginas Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition. |
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Página xxviii
... blood of others rather than a silkworm " that spins its Web from its own Bowels " . Although Langbaine also acknowledged that Ravenscroft had made clear his debt to Shakespeare with Titus , he nevertheless concluded his account of ...
... blood of others rather than a silkworm " that spins its Web from its own Bowels " . Although Langbaine also acknowledged that Ravenscroft had made clear his debt to Shakespeare with Titus , he nevertheless concluded his account of ...
Página xxxvi
... ; the word honor also in her mind , Tamora nevertheless dies with her baby's blood on her hands and a curse for its father on her lips . In his prefatory address Ravenscroft had reminded his readers that xxxvi SHAKESPEARE ADAPTATIONS.
... ; the word honor also in her mind , Tamora nevertheless dies with her baby's blood on her hands and a curse for its father on her lips . In his prefatory address Ravenscroft had reminded his readers that xxxvi SHAKESPEARE ADAPTATIONS.
Página xlvii
... blood being shed . There are also set - piece moments for the miseries , dangers , and distresses of civil war to be graphically illustrated by scenic means or through the deployment of vivid metaphors . In a cottage in III . iii , two ...
... blood being shed . There are also set - piece moments for the miseries , dangers , and distresses of civil war to be graphically illustrated by scenic means or through the deployment of vivid metaphors . In a cottage in III . iii , two ...
Página lvii
... blood , Mowbray newly says in the first scene , shall " wash the Poyson of his Tongue away " ; in IV.i. York would have preferred " Poyson " to Bullingbrook's summons . It has its public dimension too , though ; civil war itself is a ...
... blood , Mowbray newly says in the first scene , shall " wash the Poyson of his Tongue away " ; in IV.i. York would have preferred " Poyson " to Bullingbrook's summons . It has its public dimension too , though ; civil war itself is a ...
Página lviii
... blood , and used all the devices of his stage to support his visual contrasts between public ritual and private feeling . Despite the dangerous subject of the play , despite the odd moment when Tate might be read as critical of his own ...
... blood , and used all the devices of his stage to support his visual contrasts between public ritual and private feeling . Despite the dangerous subject of the play , despite the odd moment when Tate might be read as critical of his own ...
Contenido
1 | |
The Misery of Civil War Henry VIs 1680 | 89 |
The History of King Richard the Second or The Sicilian Usurper Richard II 1680 | 193 |
Henry the Sixth The First Part with the Murder of Humphrey Duke of Glocester 1681 | 271 |
The Injured Princess or The Fatal Wager Cymbeline 1682 | 375 |
Notes | 455 |
Bibliography | 541 |
Otras ediciones - Ver todas
Shakespeare Adaptations from the Restoration: Five Plays Kristine Johanson Sin vista previa disponible - 2005 |
Términos y frases comunes
Aron Arviragus Aumerle Bassianus Bellarius Bentley and Magnes Blood Brother Bullingbrook Cade Cardinal Chiron Clifford Cloten cou'd Crowne Crowne's Cymbeline damn'd dead Death Demetrius Duke Duke's Company Durfey e're Edward Emperour Enter Eugenia Exeunt Exit Father fear Friends Gaunt give Glocester Greek mythology heart Heaven Henry Henry VI Honour I'le I'me Jachimo John Crowne Junius kill'd King Lear King's Kingdom Lady Elianor Lady Grey Lavinia live London Lord Love Lucius Madam Marcus Misery of Civil Murderer Nahum Tate ne're Noble Northumberland Palladour Pisanio Plantagenet play play's Plot Popish Plot pray Prince prologue Queen Ravenscroft Restoration revenge Richard II Richard Plantagenet Roman Rome Royal Scene Shakespeare Shattillion shew shou'd Sons Soul Souldiers speak Suffolk Sword Tamora Tate Tate's Tears tell theater thee Thomas Durfey thou art thou hast Titus Andronicus Traytor University Press Ursaces Villain Warwick weep whilst Woman wou'd York
Pasajes populares
Página 256 - Richard; no man cried, God save him; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience ; — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
Página 5 - I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted, and he only gave some Mastertouches to one or two of the Principal Parts or Characters...
Página 196 - Stage; with as little design of satyr on present Transactions, as Shakespear himself that wrote this Story before this Age began.
Página 200 - Quails popule& moerens Philomela sub umbra Amissos queritur foetus, quos durus arator Observans nido implumes detraxit ; at ilia Flet noctem, ramoque sedens miserabile carmen Integral, et moestis late loca questibus implet.
Página 479 - England's Worthies. Select Lives of the most eminent persons of the English nation from Constantine the Great down to these times.
Página 199 - Disadvantage: many things were by this means render 'd obscure and incoherent that in their native Dress had appear 'd not only proper but gracefull. I 150 call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines, or, World in the Moon, for whom an Audience are like to have small Concern.
Página 265 - My brain I'll prove the female to my soul; My soul the father: and these two beget A generation of still-breeding thoughts...