Shakespeare Adaptations from the Restoration: Five PlaysBarbara A. Murray Fairleigh Dickinson Univ Press, 2005 - 556 páginas Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition. |
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Página xxx
... face of destructive plotting that no one in Titus itself is capable of promoting . In this respect , therefore , they were not a bad choice to accompany the play for readers . The two further prologues which make up the reader's bargain ...
... face of destructive plotting that no one in Titus itself is capable of promoting . In this respect , therefore , they were not a bad choice to accompany the play for readers . The two further prologues which make up the reader's bargain ...
Página xxxv
... face in any case bloodied , blushes with purity , and without feigning - not in shame for anything she has done , but in modesty for what has been done to her . Fiery cheeks may be a public signal of deeply private feelings ; more ...
... face in any case bloodied , blushes with purity , and without feigning - not in shame for anything she has done , but in modesty for what has been done to her . Fiery cheeks may be a public signal of deeply private feelings ; more ...
Página xxxvi
... face of this struggle for superiority in butchery between Goths and Romans , it is surprising that Ravenscroft newly creates , in the second half of his play , a consciousness of , and anxiety about , the power of words . From early on ...
... face of this struggle for superiority in butchery between Goths and Romans , it is surprising that Ravenscroft newly creates , in the second half of his play , a consciousness of , and anxiety about , the power of words . From early on ...
Página xlvi
... face , Duke Henry ; / That you have neither Title nor Desert " ( I.ii.146-51 ) . By act V , however , Henry has regained Warwick's support , but he is confused by the ostensible reason and says plaintively to Warwick , " you tell me ...
... face , Duke Henry ; / That you have neither Title nor Desert " ( I.ii.146-51 ) . By act V , however , Henry has regained Warwick's support , but he is confused by the ostensible reason and says plaintively to Warwick , " you tell me ...
Página lvii
... face , cheeks , and hair of her husband ; he is a " Flower " which she will wash with tears , like dew . Her love is like the dolphin , she says , which shows itself in storms ; her simple 54. The blood motif is examined by Murray in ...
... face , cheeks , and hair of her husband ; he is a " Flower " which she will wash with tears , like dew . Her love is like the dolphin , she says , which shows itself in storms ; her simple 54. The blood motif is examined by Murray in ...
Contenido
1 | |
The Misery of Civil War Henry VIs 1680 | 89 |
The History of King Richard the Second or The Sicilian Usurper Richard II 1680 | 193 |
Henry the Sixth The First Part with the Murder of Humphrey Duke of Glocester 1681 | 271 |
The Injured Princess or The Fatal Wager Cymbeline 1682 | 375 |
Notes | 455 |
Bibliography | 541 |
Otras ediciones - Ver todas
Shakespeare Adaptations from the Restoration: Five Plays Kristine Johanson Sin vista previa disponible - 2005 |
Términos y frases comunes
Aron Arviragus Aumerle Bassianus Bellarius Bentley and Magnes Blood Brother Bullingbrook Cade Cardinal Chiron Clifford Cloten cou'd Crowne Crowne's Cymbeline damn'd dead Death Demetrius Duke Duke's Company Durfey e're Edward Emperour Enter Eugenia Exeunt Exit Father fear Friends Gaunt give Glocester Greek mythology heart Heaven Henry Henry VI Honour I'le I'me Jachimo John Crowne Junius kill'd King Lear King's Kingdom Lady Elianor Lady Grey Lavinia live London Lord Love Lucius Madam Marcus Misery of Civil Murderer Nahum Tate ne're Noble Northumberland Palladour Pisanio Plantagenet play play's Plot Popish Plot pray Prince prologue Queen Ravenscroft Restoration revenge Richard II Richard Plantagenet Roman Rome Royal Scene Shakespeare Shattillion shew shou'd Sons Soul Souldiers speak Suffolk Sword Tamora Tate Tate's Tears tell theater thee Thomas Durfey thou art thou hast Titus Andronicus Traytor University Press Ursaces Villain Warwick weep whilst Woman wou'd York
Pasajes populares
Página 256 - Richard; no man cried, God save him; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience ; — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
Página 5 - I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted, and he only gave some Mastertouches to one or two of the Principal Parts or Characters...
Página 196 - Stage; with as little design of satyr on present Transactions, as Shakespear himself that wrote this Story before this Age began.
Página 200 - Quails popule& moerens Philomela sub umbra Amissos queritur foetus, quos durus arator Observans nido implumes detraxit ; at ilia Flet noctem, ramoque sedens miserabile carmen Integral, et moestis late loca questibus implet.
Página 479 - England's Worthies. Select Lives of the most eminent persons of the English nation from Constantine the Great down to these times.
Página 199 - Disadvantage: many things were by this means render 'd obscure and incoherent that in their native Dress had appear 'd not only proper but gracefull. I 150 call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines, or, World in the Moon, for whom an Audience are like to have small Concern.
Página 265 - My brain I'll prove the female to my soul; My soul the father: and these two beget A generation of still-breeding thoughts...