The Logic of LiteratureIndiana University Press, 1973 - 369 páginas |
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Página 41
... less objective , and conversely an objective formulation as being less subjective — whereby the gradations of less and more can attain the limit of absolute objectivity , namely in the ( sole ) instance of that mathematical proposition ...
... less objective , and conversely an objective formulation as being less subjective — whereby the gradations of less and more can attain the limit of absolute objectivity , namely in the ( sole ) instance of that mathematical proposition ...
Página 209
... less " diffuse " ) . To demonstrate this point with the simplest example , the description “ blonde hair ” requires less narrating time than the expression " lustrous blonde hair . " But time appears in epic literature only as a fictive ...
... less " diffuse " ) . To demonstrate this point with the simplest example , the description “ blonde hair ” requires less narrating time than the expression " lustrous blonde hair . " But time appears in epic literature only as a fictive ...
Página 310
... less obvious . This role poem can be identical with a poem whose first - person form is genuine ; the title's vague reference to " a man in love " can be a more or less transparent camouflage for the empirical I of the poet . In short ...
... less obvious . This role poem can be identical with a poem whose first - person form is genuine ; the title's vague reference to " a man in love " can be a more or less transparent camouflage for the empirical I of the poet . In short ...
Contenido
The Concept and Objectives of | 1 |
Foundations in Theory of Language | 8 |
The Statement System of Language | 23 |
Derechos de autor | |
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Términos y frases comunes
adverbs aesthetic appear Aristotle ballad becomes Bolognese dog character concept context creative deictic demonstrate depicted designate dialogue Emil Staiger epic fiction epistemological epistolary novel example existence experience experience-field expression fact feigned fictional narration fictive persons film first-person form first-person narrative first-person novel genre genuine Goethe grammatical Hegel historical present Ingarden inner action interpretation judgment latter linguistic literary logic of literature lyric poem lyric poetry lyric statement meaning ment mental representation mimesis mimetic namely narrated monologue narrative act narrative function narrative literature nevertheless non-reality object object-pole occur passage past tense past-ness phenomena phenomenology phenomenon poet poetic portrayed precisely present tense presentify preterite problem question real I-Origo reality statement realm reference relation render respect role poem semblance sense sentence situation spatial speak stage statement-subject statement-system straight narration system of literature temporal theory of language third-person third-person narrative Thomas Mann tion verbs of inner Wilhelm words