The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas of Taste. By William Hogarth

alfo almoſt alſo Andrea Sacchi Antinous appear beauty becauſe beſt body cauſe CHAP character cife colours compofed compofition courſe dancing defign deſcribed diftinct diſagreeable diſtances diſtinguiſh eaſily elegant eſpecially expreffed expreffion faid fame faſhion feem feen ferpentine lines ferve fhade fhall fhape fhell fhew fhewn fide figure fimplicity firft firſt fitneſs fituation fize fome foon ftatue ftill ftrength fubject fuch fufficient fuppofe furface give grace gradating hath ibid idea itſelf juſt leaſt lefs light line of beauty loſe mafter manner meaſure mind moft moſt movements muſcles muſt nature neceffary obfervation objects ornamental otherwiſe painters painting perfon pleafing pleaſing pleaſure preſent principles proportion purpoſe raiſe reaſon repreſented reverſe ſame ſee ſeem ſeen ſerve ſhades ſhall ſhapes ſhould ſome ſpace ſpeak ſtill ſtraight ſtraight lines ſuch ſuppoſed taſte thefe themſelves theſe thofe thoſe tints twiſted underſtood uſe utmoſt vafes varied variety whole