The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas of Taste. By William HogarthW. Strahan, 1772 - 153 páginas |
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Página 87
... must be considered , as depending on the application of quantity to those parts of the body where it can give more scope to its * See Chap . 6 . grace ་ grace in movement , as to the neck for the ANALYSIS of BEAUTY . 187.
... must be considered , as depending on the application of quantity to those parts of the body where it can give more scope to its * See Chap . 6 . grace ་ grace in movement , as to the neck for the ANALYSIS of BEAUTY . 187.
Página 89
... considered and determined : on which con- junctively , the true proportion of every character must depend ; and is found fo to do , by our joint - sensation of bulk and motion . Which account of the proportion of the human body ...
... considered and determined : on which con- junctively , the true proportion of every character must depend ; and is found fo to do , by our joint - sensation of bulk and motion . Which account of the proportion of the human body ...
Otras ediciones - Ver todas
The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas ... William Hogarth Sin vista previa disponible - 2018 |
The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas ... William Hogarth Sin vista previa disponible - 2018 |
The Analysis of Beauty: Written With a View of Fixing the Fluctuating Ideas ... William Hogarth Sin vista previa disponible - 2019 |
Términos y frases comunes
alfo almoſt alſo Andrea Sacchi Antinous appear beauty becauſe beſt body cauſe CHAP character cife colours compofed compofition courſe dancing defign deſcribed diftinct diſagreeable diſtances diſtinguiſh eaſily elegant eſpecially expreffed expreffion faid fame faſhion feem feen ferpentine lines ferve fhade fhall fhape fhell fhew fhewn fide figure fimplicity firft firſt fitneſs fituation fize fome foon ftatue ftill ftrength fubject fuch fufficient fuppofe furface give grace gradating hath ibid idea itſelf juſt leaſt lefs light line of beauty loſe mafter manner meaſure mind moft moſt movements muſcles muſt nature neceffary obfervation objects ornamental otherwiſe painters painting perfon pleafing pleaſing pleaſure preſent principles proportion purpoſe raiſe reaſon repreſented reverſe ſame ſee ſeem ſeen ſerve ſhades ſhall ſhapes ſhould ſome ſpace ſpeak ſtill ſtraight ſtraight lines ſuch ſuppoſed taſte thefe themſelves theſe thofe thoſe tints twiſted underſtood uſe utmoſt vafes varied variety whole