The Analysis of Beauty: Written with a view of fixing the fluctuating ideas of tasteDigiCat, 2022 M09 4 - 159 páginas William Hogarth's 'The Analysis of Beauty' is a groundbreaking work that explores the concept of beauty through the lens of art and aesthetics. Published in 1753, Hogarth's book delves into the principles of symmetry, proportion, and grace that define beauty in both the natural world and in the creations of human artistry. Hogarth's writing style is both insightful and engaging, as he uses detailed illustrations and examples to illustrate his points. This book can be seen as a precursor to later studies in the philosophy of aesthetics and art criticism, making it a valuable resource for scholars of art history and aesthetics. Hogarth's work is considered a seminal text in the field of visual culture, influencing generations of artists and thinkers who followed in his footsteps. 'The Analysis of Beauty' showcases Hogarth's keen observational skills and his ability to dissect the complex nature of beauty in a way that is both enlightening and accessible. This book comes highly recommended for anyone interested in exploring the connections between art, beauty, and the human experience. |
Contenido
of fitness | |
Of Quantity | |
Of Composition with the WavingLine | |
Of Proportion | |
Of Light and Shade and the manner in which objects are explained | |
Of Colouring | |
Of Attitude | |
Figures referrd to in the Book | |
Otras ediciones - Ver todas
The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas ... William Hogarth Sin vista previa disponible - 2018 |
The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas ... William Hogarth Sin vista previa disponible - 2018 |
Términos y frases comunes
Albert Durer allow'd ancients Andrea Sacchi Andrew Lang ANTHONY TROLLOPE Antinous appear Arabian Nights aukward Beau Ideal body breadth call'd CHAPTER character chiefly colours common composed composition consider'd cuticula dancing degree dimensions disagreeable distance distinct doth dress EDITH WHARTON effect elegant endeavour equal expression face figure fitness give given gradating hand head horn human form idea imagination imitate JANE AUSTEN kind legs length light and shade limbs line of beauty Lomazzo manner means mind motion movements moving muscles nature hath noble objects observation Orley Farm ornamental ovolo painters painting particular pencil perfect plain lines plate pleasing prime tints principles prints proper proportion purpose quantity reader represented retiring shade round sculpture seen serpentine lines serpentine-line shapes shew shewn simplicity sort species straight lines sufficient supposed surface Table of Contents taste twisted understood uniform varied variety waving line waving-line whole winding