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mised them, that he would, upon such their preferment, publish as edict of the court, for the entire banishmeot and exclusion of it out of the discourses and conversation of all civil societies. This is a true copy,

CHARLES LILLIE. Monday next is set apart for the trial of severat feinale causes.

N. B. The case of the hassock will come op between the hours of nine and ten.

No 257. THURSDAY, NOVEMBER 30, 1710.'

In nova fert animus mutatas dicere formas
Corpora: Dii, cæptis, nam vos mutástis et illas,
Aspirate meis !

OVID. Met. i, lo
Of bodies chang'd to various forms I sing,
Yegods, from whom these miracles did spring,
Assist me in this arduous task!

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From my own Apartment, November 29. EVERY nation is distinguished by productions that are peculiar to it. Great Britain is particularly fruitful in religions, that shoot up and flourish in this climate more thau in any other. We are so fa. mous abroad for our great variety of sects and opi. nions, that an ingenious friend of mine, who is lately returned from his travels, assures me, there is a show at this time carried up and down in Germany,

which represents all the religions in Great Britain in wax-work. Notwithstanding that the pliancy of the matter, in which the images are wrought, makes it capable of being moulded into all shapes and figures ; my friend tells me, that he did not think it possible for it to be twisted and tortured into so many screwed faces, and wry features, as appeared in several of the figures that composed the shew. I was indeed so pleased with the design of the German artist, that I begged my friend to give me an account of it in all its particulars, which he did after the follow. ing manuer.

“ I have often," says he, “been present at a show of elephauts, camels, dromedaries, and other strange creatures, but I never saw so great an assembly of spectators aś were met together at the opening of this great piece of wax-work. We were all placed in a large hall, according to the price that we had paid for our seats. The curtain that hung before the show was made by a master of tapestry, who had woven it in the figure of a monstrous Hydru that had several heads, which brandished out their tongues, and seemed to hiss at each other. Some of these heads were large and entire ; and where any of them had beon lopped away, there sprouted up several in the room of them, insomuch, that for one head cut off, a man might see ten, twenty, or an hundred, of a smaller size, creeping through the wound. In short, the whole picture was nothing but confusion and blood-shed. On a sudden," says my friend, " I was startled with a lourish of many musical instruments that I had never heard before, which was followed by a short tuve, if it might be so called, wholly made up of jars and discords. Among the rest, there was an organ, a bagpipe, a groaning board, a steatorophontic trumpet, with several wind instruments of a most disagreeable sound, which i do not so much as know the names of,

After a short flourish, the curtain was drawn up, and we were presented with the most extraordinary assembly of figures that ever entered into a man's imagination. The design of the workman was so well expressed in the dumb show before us, that it was not hard for an Englishman to comprehend the meaning of it.

6. The principal figures were placed in a row, consisting of seven persons.

The middle figure, which immediately attracted the eyes of the whole company, and was much bigger than the rest, was formed like a matron, dressed in the habit of an elderly woman of quality in Queen Elizabeth's days. The most remarkable parts of her dress were, the beaver with the steeple crown, the scarf that was darker than sable, and the lawn apron that was whiter than ermin. Her gown was of the richest black velvet; and just upon her heart studded with large diamonds of an inestimable value, disposed in the form of a cross. She bore an inexpressible cheerfulness and dignity in her aspect; and, though she setmed in years, appeared with so much spirit and vivacity, as gave her at the same time an air of old age and immortality. I found my heart touched with $0 much love and reverence at the sight, of her, that the tears ran down my face as I looked upon her; and still the more I looked upon her, the more my heart was melted with the sentiments of filial ten. derness and duty. I discovered every moment somcthing so charming in this figure, that I could scarce take my eyes ofl.it. On its right hand there sat the figure of a woman so covered with ornaments, that her face, her body, and her hands, were almost en. tirely bid under them. The little you could see of her face was painted : and what I thought very odd, had something in it like artificial wrinkles; but I was the less surprised at it, when I saw upon her

foreheart an old fashioned tower of gray hairs. Her headdress rose very high by three several stories or degrees; her garments had a thousand colours in them, and were embroidered with crosses in gold, silver, and silk. She liad nothing on, so much as a glove or a slipper, which was not marked with this figuré; nay, so superstitiously fond did she ap. peat of it, that she sat cross-legged. I was quickly sick of this tawdry composition of ribbands, silks, ard jewels, and therefore cast my eye on a dame which was just the reverse of it. I need not tell my reader that the lady before described was Popery, or that she I am going to describe is Presbytery. She sat on the left hand of the venerable matron, and so múch resembled her in the features of her counté. nance, that she seemed her sister; but at the same time that one observed a likeness in her beauty, one could not but take notice, that there was something in it sickly and splenetic. Her face had enough to discover the relation; but it was drawn up into a peevish figure, soured with discontent, and overcast with melancholy. She seemed offended at the matrón for the shape of her hat, as too much resembling the triple coronet of the person who sat by her. One might see likewise, that she dissented from the white aprơn and the cross; for which reasons sho had made herself a plain homely dowdy, and turned her face towards the sectaries that sat on her lefthand, as being afraid of looking upon the matron, lest she should see the harlot by her.

66 On the right hand of Popery sat Judaism, represented by an old man embroidered with phylac. tories, and distinguished by many typical figures, which I had not skill enough to unriddle. He was placed among the rubbish of a temple; but, instead of weeping over it, which I should have expected

VOL. V.

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from him, he was counting out a bag of money upon the ruins of it.

66 On his right-hand was Deism, or Natural Religion. This was a figure of an half-naked aukward country wench, who, with proper ornaments and education, would have made an agreeable and beautiful appearance; but, for want of those ad. vantages, was such a spectacle as a man would blush to look upon.

6. I have now,” continued my friend, “given you an account of those who were placed on the right. hand of the matron, and who, according to the or. der in which they sat, were Deism, Judaism, and Popery. On the left-hand, as I told you, appeared . Presbytery. The next to her was a figure which somewhat puzzled me: it was that of a man look. ing, with horror in his eyes, upon a silver bason filled with water. Observing something in his countenance that looked like lunacy, I fancied at first, that he was to express that kind of distraction which the physicians call the hydro-phobia ;, but *considering what the intention of the show was, I immediately recollected myself, and concluded it to be Anabaptism.

“ The next figure was a man that sat under a most profound composure of mind. He wore an hat · whose brims were exactly parallel with the horizon. His garment had neither sleeve nor skirt, nor so much as a superfluous button. . What they called his cravat, was a little piece of white linen quilled with great exactness, and hanging below his chin about two inches. Seeing a book in his hand, [ asked our artist what it was; who told me it was

The Quaker's Religion;' upon which I desired a sight of it. Upon perusal, I found it to be nothing but a new-fashioned grammar, or an art of abridge ing ordinary discourse. The nouns were reduced to

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