Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions |
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Página 17
The second advantage , which I owe to my early perusal , and admiration of these poems ( to which let me add , though known to me at a somewhat later period , the Lewsdon Hill of Mr. CROW ) bears more immediately on my present subject .
The second advantage , which I owe to my early perusal , and admiration of these poems ( to which let me add , though known to me at a somewhat later period , the Lewsdon Hill of Mr. CROW ) bears more immediately on my present subject .
Página 28
An amateur performer in verse expressed to a common friend , a strong desire to be introduced to me , but hesitated in accepting my friend's immediate offer , on the score that " he was , he must acknowledge ...
An amateur performer in verse expressed to a common friend , a strong desire to be introduced to me , but hesitated in accepting my friend's immediate offer , on the score that " he was , he must acknowledge ...
Página 29
A debility and dimness of the imaginative power , and a consequent necessity of reliance on the immediate impressions of the senses , do , we well know , render the mind liable to superstition and fanaticism . Having a deficient portion ...
A debility and dimness of the imaginative power , and a consequent necessity of reliance on the immediate impressions of the senses , do , we well know , render the mind liable to superstition and fanaticism . Having a deficient portion ...
Página 32
In the inward assurance of permanent fame , they seem to have been either indifferent or resigned , with regard to immediate reputation . Through all the works of Chaucer there reigns a chearfulness , a manly hilarity , which makes it ...
In the inward assurance of permanent fame , they seem to have been either indifferent or resigned , with regard to immediate reputation . Through all the works of Chaucer there reigns a chearfulness , a manly hilarity , which makes it ...
Página 76
Now the change of one visual image for another involves in itself no absurdity , and becomes absurd only by its immediate juxta - position with the first thought , which is rendered possible by the whole attention being successively ...
Now the change of one visual image for another involves in itself no absurdity , and becomes absurd only by its immediate juxta - position with the first thought , which is rendered possible by the whole attention being successively ...
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