The Works of the Right Honourable Joseph Addison, Volumen2 |
Dentro del libro
Resultados 1-3 de 31
Página 86
which I could never read without being in love with the virtue of a Roman audience . He there describes the shouts and applauses which the people gave to the persons who acted the parts of Pylades and Orestes , in the noblest occasion ...
which I could never read without being in love with the virtue of a Roman audience . He there describes the shouts and applauses which the people gave to the persons who acted the parts of Pylades and Orestes , in the noblest occasion ...
Página 310
The warm and passionate parts of a tragedy are always the most taking with the audience ; for which reason we often see the players pronouncing , in all the violence of action , several parts of the tragedy which the author writ with ...
The warm and passionate parts of a tragedy are always the most taking with the audience ; for which reason we often see the players pronouncing , in all the violence of action , several parts of the tragedy which the author writ with ...
Página 311
Let us then observe with what thunder - claps of applause he leaves the stage , after the impieties and execrations at the end of the fourth act ; and you will wonder to see an audience so cursed , and so pleased at the same time .
Let us then observe with what thunder - claps of applause he leaves the stage , after the impieties and execrations at the end of the fourth act ; and you will wonder to see an audience so cursed , and so pleased at the same time .
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Contenido
THE TATLER PAOR Introductory Remarks | 1 |
Inventory of the Playhouse 75 Miss Jennys MarriageChoice of Matches in the | 3 |
Bickerstaff family | 6 |
Otras 80 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
able according admiration appear audience beautiful body character club common consider conversation court death desire discourse Edition English enter expression face fall figure genius give given greatest hand head hear heard heart History honour humour kind King lady language learned letter likewise live look manner MARCH matter means mind nature never night observed occasion ordinary particular passed passion person piece play pleased pleasure poet present proper raised reader reason received represented says seems seen sense short side sometimes speak stage taken talk tell things thought tion told took tragedy Translated turned virtue vols walk whole woman women writing young