The Works of the Right Honourable Joseph Addison, Volumen2 |
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Let us then observe with what thunder - claps of applause he leaves the stage , after the impieties and execrations at the end of the fourth act ; and you will wonder to see an audience so cursed , and so pleased at the same time .
Let us then observe with what thunder - claps of applause he leaves the stage , after the impieties and execrations at the end of the fourth act ; and you will wonder to see an audience so cursed , and so pleased at the same time .
Página 313
of , to inspire us with a great idea of the persons introduced upon the stage . In short , I would have our conceptions raised by the dignity of thought and sublimity of expression , rather than by a train of robes or a plume of ...
of , to inspire us with a great idea of the persons introduced upon the stage . In short , I would have our conceptions raised by the dignity of thought and sublimity of expression , rather than by a train of robes or a plume of ...
Página 316
5 break the most obdurate hearts , has a tragedy by him , where the first person that appears upon the stage is an afflicted widow in her mourning - weeds , with half a dozen fatherless children attending her , like those that usually ...
5 break the most obdurate hearts , has a tragedy by him , where the first person that appears upon the stage is an afflicted widow in her mourning - weeds , with half a dozen fatherless children attending her , like those that usually ...
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Contenido
THE TATLER PAOR Introductory Remarks | 1 |
Inventory of the Playhouse 75 Miss Jennys MarriageChoice of Matches in the | 3 |
Bickerstaff family | 6 |
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able according admiration appear audience beautiful body character club common consider conversation court death desire discourse Edition English enter expression face fall figure genius give given greatest hand head hear heard heart History honour humour kind King lady language learned letter likewise live look manner MARCH matter means mind nature never night observed occasion ordinary particular passed passion person piece play pleased pleasure poet present proper raised reader reason received represented says seems seen sense short side sometimes speak stage taken talk tell things thought tion told took tragedy Translated turned virtue vols walk whole woman women writing young