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accompanied Allegro Andante artistic Avenue B-flat Back bass bassoons begins Born Boston BOYLSTON STREET called cellos chords City clarinets close clothing COATS comes COMPANY composer composition Concert DEPARTMENT designs dominant Established expression F major figure flutes followed French FURS give given GOWNS grand half HALL harmony head horns HOTEL IMPORTERS Italian ITALY kettle-drums KING leads LINEN mailed Majesty major Maker March Massachusetts measures melody minor Miss movement o'clock oboes opens opera opus orchestra orders original overture pair Paris performance phrase Piano pianoforte played principal published repeated rooms score second theme SHAMPOOING short silk singers solo Songs SONS soon Special STEINWAY strings style subsidiary SUITS Symphony Symphony Hall taking thing third tonic Tremont Street trombones trumpets usual violins Waists WALKING White whole wind Winter wood-wind YORK
Página 138 - As ordinarily distributed it is composed of a piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, 2 kettle-drums, first and second violins, violas, 'cellos, and basses.
Página 230 - That no one knows, my child. She is never seen. She lives there, all alone in the tower; and those who wait on her do not go out by daylight. She is very old; she is the mother of our mother, and she wishes to reign alone. She is suspicious and jealous, and they say she is mad.
Página 346 - Wie die Sonne lauter strahlt mir sein Licht: der Reinste war er, der mich verrieth! Die Gattin trügend — treu dem Freunde — von der eig'nen Trauten — einzig ihm theuer — schied er sich durch sein Schwert.
Página 138 - What is our life but a series of preludes to that unknown song, the first solemn note of which is sounded by death?
Página 240 - AGLOVALE (waiting at the door). I hear nothing now. . . YGRAINE (wild with joy). Tintagiles ! Tintagiles ! Look ! Look ! ... He is saved ! . . . Look at his eyes . . . you can see the blue. ... He is going to speak. . . They saw we were watching. . . . They did not dare. . . Kiss us ! ... Kiss us, I say ! . . . Kiss us ! ... All ! all ! ... Down to the depths of our soul ! . . . [All four, their eyes full of tears, fall into each other's arms.
Página 134 - Pastoral,' though homely enough in its thematic material and generally simple in its development and working out, is, as a piece of orchestration, one of Beethoven's most complicated scores; it thus presents quite peculiar difficulties to the pianoforte transcriber, difficulties which...
Página 211 - This symphony is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 3 horns, 2 trumpets, i pair of kettle-drums, and the usual strings.
Página 345 - Sein Eheweib warst du nie: als Buhlerin bandest du ihn. Sein Mannesgemahl bin ich, der ewige Eide er schwur, eh
Página 218 - MARCH TO THE SCAFFOLD He dreams that he has killed his beloved, that he is condemned to death and led to execution. The procession advances to the tones of a march which is now sombre and wild, now brilliant and solemn, in which the dull sound of the tread of heavy feet follows without transition upon the most resounding outburst.
Página 174 - Beg to announce that they have been officially appointed by patents and diplomas, which are displayed for public inspection at their warerooms, manufacturers to His Majesty, Nicholas II., Czar of Russia His Majesty, William II., Emperor of Germany and King of Prussia His Majesty, Franz Joseph...