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2-No. V. of the Edinburgh Cabinet Library. Polar Seas and Regions. Edinburgh: Oliver and Boyd.

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4 The Works of Lord Byron, with his Letters and Journals, and his Life. By Thomas Moore, Esq. 14 vols. J. Murray.

5-The Pilgrim's Progress. W. Kidd.

6-The Anatomy of Drunkenness. By Robert Macnish. Glasgow: W. R. Phun.

7-Nights of the Round Table. Edinburgh: Oliver and Boyd.

8.—The Album Wreath. R. Willoughby.

1-Biography, astrology, natural history, and calendarial information, are here condensed in a singular manner, and embellished with extraordinary plates in great number; many curious papers, illustrative of the cometary system are highly interesting, and the volume affords abundant means of entertainment: we shall give

extracts.

2-A third edition, revised, and with some valuable additional matter, has just made its appearance, and we are tempted to borrow a paragraph from our fellow-labourer of the Atheneum, who thus announces it:

"This is as it should be. Here is consolitary evidence that trade criticism is now powerless. This volume was published at the moment when the Juvenile and National Libraries were first brought before the public. The National' is dead, and the rickety Juvenile,' the worst series of volumes that ever disgraced literature, though five times noticed in the Literary Gazette within one month, did not survive three; while the Polar Seas and Regions,' one of the cheapest and neatest volumes of our time, dismissed in one-eighth of a column in the Gazette, as interfering with the presumed interests of the proprietors, has arrived at a third edition. If any one desire to see the bold daring of trade criticism, let them compare the reviews of the Juvenile' and the Polar Seas' in the Gazette, and judge by the result."

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The only fact we desire to add to this exposure is, that Wm. Jerdan, Esq., was the editor of the Juvenile Library and also of the Literary Gazette in which it was praised, such an instance of literary modesty should be held up to the admiration of those who read because the Gazette praises.

We ought, however, to observe that the additions are important; viz, an interesting communication from Dr. Rafu (p. 67); a defence of the author's views in regard to the voyages of John Cabot, &c. (p. 122 to 188); an account of the preservation of part of the crew of the John, of Greenock, and their wintering, &c. (p.444 to 453); and a summary of the whale-fishery of 1831, (460 to 463).

3.-These poems comprise a few readable verses, better described by the word pretty, than by any other we can think of.

4-The first volume of this beautifully printed work has appeared, and fully justified the expectation of those who nevertheless calculated largely on Mr. Murray's taste. The edition is said to have been undertaken to drive from the market the gawky French volume which professed to contain all Byron's poems, and which has been smuggled in great plenty into this country, to the manifest injury of the London trade. To whatever cause, however, its appearance is assigned, it is a valuable addition to our literature and within the reach of every reader. It has two beautiful engravings worth the price of the volume.

5.-This work, publishing in numbers, deserves notice, it will have strong recommendations, viz. its cheapness and its embellishments, which, when complete, will amount to one hundred.

VOL. III.

I

6.-Not one of the most inviting titles for a lady, yet the book contains singularly interesting remarks on various habits which engender the vice of inebriety, and prove that drunkenness can be produced by numerous means which ladies may call innocent. A dose of ether, a few drops of lavender or laudanum, a pill of opium or of camphor, is the same in spirit, and as pernicious in effect, as the poor man's dram.

7.-A prettily got up volume of moral tales for the younger branches; a sort of continuation to a small work, entitled "The Diversions of Hollycot; or, the Mother's Art of Thinking," but complete in itself, and given to us with a promise of a second series, which will be as acceptable as the first.

8.-This periodical is novel, and as Albums are fashionable, we may add popular. Music, poetry, and prose are neatly printed on tinted leaves, with appropriate borders, and here and there we have blank pages for drawings or MSS. The editor's reading has not been very extensive, for he has given us some good things of the old English authors and ascribed them to modern writers, little dreaming that fashionable scribblers appropriate the "good things" of their predecessors, without compunction or acknowledgment. We, however, like the idea, and hope the projectors may anticipate competition in the manifold improvements of which it is capable.

Mr. Bulwer's book for the admirers of the Newgate Calendar, Eugene Aram, has been already praised in the in which he has sufficient interest to command admiration, and we fear that had the author been any thing short of an M.P. of the reform school, it would have remained unread even by the class who delight in perusing the annals of crime, and whose tastes are depraved enough to admire the life of a murderer.

Romance and Reality is a sort of partnership concern, which by arrangement, as (if the world belie her not) was the case in a former little work, L. E. L. is to have the credit (?)

As the lady's friends have, however, remonstrated with us for our bearing towards her writing, we have answered them elsewhere, and shall devote a page or two to the notice of a work which judging from the extracts published by her admirers we should say could only disgust a reader of ordinary attainments.

QUINTUS SERVINGTON. A Tale.-The London publishers of this work, Messrs. Smith and Elder, are remarkable for the neatness and taste with which their works are generally turned out, and we were somewhat puzzled to observe that there was an unusual coarseness of material and execution in the three volumes before us. This, however, the title-page explained. It is the first book ever printed in Hobart Town, Van Diemen's Land, and, as such, is a curiosity and really creditable to all the parties engaged.

FEMALES OF THE PRESENT DAY, CONSIDERED AS TO THEIR INFLUENCE ON SOCIETY. By a Country Lady.-A very sound, serious, and sober lecture for our wives, sisters, and daughters, assuming that they are more worldly and less sensible than females of former years, whereas they are more enlightened, their minds more expanded, their judgment more acute; and that while those of the last century would hardly venture into company, lest they should meet naughty people and bad advisers, the fair of the nineteeth century mix with the world and have sense enough to avoid the one and firmness enough to reject the other.

We are indebted to Mr. Strong, of Albion College, Brook Green, for permission to copy the drawing of the beautiful variety of tulip, which embellishes our present number. Mr. Strong has the largest and, perhaps, the best collection in this country, and raised the variety called Strong's Princess Victoria from seed. We shall devote a paper to Tulips and give other varieties in the April number.

COSTUMES OF ST. JAMES'S

FOR 1832.-No. II.

PUBLISHED IN NUMBER XIII. OF THE ROYAL LADY'S MAGAZINE, AND ARCHIVES OF THE COURT OF ST. JAMES'S.

EMBELLISHED WITH FOUR PORTRAITS

OF LADIES

IN

FASHIONABLE COSTUMES FOR FEBRUARY.

TO CORRESPONDENTS.

Our Fashionable Readers should know, that the drawings of the fashions are made from beautifully-formed paper models, which may be seen and purchased—as, for the purposes of the Magazine, they are useless after the copies are published.

This portion of the Magazine being completely detached, and paged for binding alone, may be had separately, at One Shilling per number, generally with four or five figures or dresses, entirely new and English inventions.

FASHIONS FOR FEBRUARY.

PLATE 1, FIG. 1.

CARRIAGE Costume. Pelisse of aventurine satin. The skirt is made very full, and rather long. It is trimmed down the front with a deep revers of satin, cut in progressive murals, decreasing in size as they ascend. The body is made plain, close up to the throat, with a large square collar, and has a double cape, set on en cœur. The upper cape is narrow, and cut in five points on the shoulder; the lower cape is considerably deeper, and not pointed, but falling in folds over the sleeve. Both capes are quite narrow at the waist. The sleeve

is as close to the arm as possible from the elbow downwards, but very large at the upper part, appearing still more so by the addition of a broad piece of satin, set on full from the elbow to the shoulder. Nœuds of corded satin are placed at equal distances down the centre of this appendage. The bonnet accompanying this dress is of aventurine satin, lined and trimmed with deep blue velvet, and rich ribbon. It is small and peculiarly becoming. Boa of swansdown. Gloves of blue kid, or gros de Naples. Boots of aventurine cloth, lined with sable.

FIG. 2.

Carriage dress of pink and green shot gros de Lyons. A very pretty garniture finishes the skirt of this dress: it is composed of lozenge-shaped pieces, set on a corded band in groups of three, and so disposed, that the centre lozenge of each group shows the corded band passing through it, and seems to confine that on each side of it. The corsage is high behind, and partially open in front. A fluted trimming proceeds from the waist, across the shoulder to the bottom of the back. The clochettes forming this trimming become larger from the waist towards the shoulder; and smaller from thence backwards. The upper part of the sleeve is large, and divided in two parts lengthwise, each part turning back, and forming a full revers, which are laced together, but not quite closed. The lower sleeve is tight to the arm, and is finished at the wrist with a deep pointed cuff, trimmed with quilled net. Collarette of clear net, edged with a double quilling, and fastened in front with a noud of gauze ribbon. Bonnet of green plush, lined with Isabella coloured satin, and trimmed with gauze ribbon to match. The crown slopes forword, and is surmounted by a beautiful plume of ostrich feathers. Gloves of Isabella kid. Shoes of black satin.

PLATE 2, FIG. 3.

Walking dress of Sontag-green gros de Naples. It is made en redingote, with a rich trimming of foliage down the front of the skirt. Corsage made uni, and without trimming. It is finished at the neck with a triple quilling of tulle, fastened in front with a bow of rose-coloured satin ribbon. The sleeve is full from the elbow to the wrist, where it is confined by a broad gold bracelet. The upper sleeve is very full, and is confined round the arm by a band cut into six or seven points, from whence proceed an equal number of broad straps, which reach from the hand, round the arm, to the shoulder, where they terminate in points, and are fastened to the corsage by corded knots. Bonnet of pale blue velvet, made open in front, and trimmed with velvet ribbon. It is worn over a morning cap of fine lace, which is tied under the chin with rose-coloured gauze ribbon.

FIG. 4.

Morning dress of rose-coloured merino. The skirt has a broad hem at bottom, headed by doubled languettes, the points of which cross each other, and form a novel and pretty style of trimming. The sleeve is cut into long transverse straps, half way up the arm, interlacing each other so as to fit very closely. The top of the sleeve is very large, and is supported by an undersleeve of stiffened net. The body of the dress is cut in a point nearly to the waist. A double cape, set in very full quills on the shoulders, and crossing the bust en schall, before and behind. A

richly worked cambric chemisette is worn

with this dress. The hair is dressed in soft curls in front, and in one large bow on the crown of the head. Caprice of British blonde, tied under the chin with white gauze ribbon. The comb worn with this head-dress is of gold, with a very high back. Shoes of black satin.

The mantilla thrown over the chair in this plate, is of purple satin, lined and trimmed with white plush. It is cut very short behind, not more than half a yard deep from the waist downwards, and becomes deeper towards the front, where it forms an acute angle, reaching almost to the feet. The points are terminated by rich bullion tassels. It is an appropriate and elegant finish for an Opera dress. The béret above the mantilla is intended to be worn with it. It is made of white satin, with nauds of striped gauze ribbon, tastefully disposed inside the brim. Three soft white feathers fall over the crown on the right side.

GENERAL REMARKS.

The approach of spring seems to make our belles thrifts in their displays of novelty, from, we presume, a wish to make the change appear more striking. If such be the cause of the present lack of new fashions, we shall, indeed, be glad to see the smiles of April, and the warm breath of May, changing furs and velvets into silks and muslins; and displaying at once the beauty and taste of our fashionables. The heavy costume of winter, especially that worn out of doors, does not harmonize with our ideas of the beautiful, and we shall rejoice when it is discarded.

The greatest change which we notice

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