The Question of Style in Philosophy and the Arts
Caroline Eck, James McAllister, Renée van de Vall
Cambridge University Press, 1995 M05 11 - 245 páginas
The eighteenth and nineteenth centuries witnessed a change in the perception of the arts and of philosophy, which were formerly regarded as practices possessing a proper method, but now came to be seen as practices allowing the pursuit of alternative styles. The essays in this book examine the circumstances, features, and consequences of this historical transition, exploring in particular new aspects and instances of the inter-relatedness of content and its formal representation in both the arts and philosophy.
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repression and representation
Style in painting
Stylistic strategies in William Hogarths theatrical
the historical origins of
Aesthetic forms of philosophising
Style and community
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aesthetic analysis architects architecture artist beauty becomes Blondel Boffrand building C. K. Williams claim community of creators concept of style concrete construction creativity cultural deconstruction democracy Derrida Descartes develop eighteenth century essay example experience of meaningfulness expression FRANK ANKERSMIT G. E. M. Anscombe Gadamer genealogy Genealogy of Morals genre Gothic historical Hogarth Ibid images individual style intentional interpretation iron Kleist Kurt Schwitters language literary logical London Ludwig Wittgenstein Masquerade material meaning meaning-in-itself merz metaphor method Midford Castle mode nature Nietzsche Nietzsche's notion of propriety objective painting paradox particular philosophical discourse philosophical style philosophy pictorial poetry political possible Quatremere question of style realise recognise reflection relation revealed rhetorical Richard Wollheim satire Schwitters sense stage structure style in philosophy stylistic canons taste theatre theatrical theory tion Tocqueville Tocqueville's traditional truth understanding University Press values Vitruvianism Vitruvius William Hogarth Wittgenstein Wolfflin words writing