The Question of Style in Philosophy and the ArtsCaroline van Eck, James McAllister, Renée van de Vall Cambridge University Press, 1995 M05 11 - 245 páginas The eighteenth and nineteenth centuries witnessed a change in the perception of the arts and of philosophy, which were formerly regarded as practices possessing a proper method, but now came to be seen as practices allowing the pursuit of alternative styles. The essays in this book examine the circumstances, features, and consequences of this historical transition, exploring in particular new aspects and instances of the inter-relatedness of content and its formal representation in both the arts and philosophy. |
Contenido
repression and representation | 18 |
Style in painting | 37 |
Stylistic strategies in William Hogarths theatrical | 50 |
the historical origins of | 70 |
the meaning | 89 |
Aesthetic forms of philosophising | 108 |
Style and community | 124 |
Metaphor and paradox in Toquevilles analysis | 141 |
science and the applied | 157 |
the question of style | 177 |
Personal style as articulate intentionality | 201 |
Style and innocence lost regained | 220 |
Otras ediciones - Ver todas
The Question of Style in Philosophy and the Arts Caroline Eck,James McAllister,Renée van de Vall Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic analysis architects architecture artist beauty becomes Blondel Boffrand building C. K. Williams claim community of creators concept of style concrete construction creativity cultural deconstruction democracy Derrida Descartes develop eighteenth century essay example experience of meaningfulness expression FRANK ANKERSMIT G. E. M. Anscombe Gadamer genealogy genre Gothic Heinrich Wölfflin historical Hogarth Humphry Repton Ibid images individual style intentional interpretation iron Kleist Kurt Schwitters language literary logical London Ludwig Wittgenstein Masquerade material meaning meaning-in-itself merz metaphor method mode nature Nietzsche Nietzsche's notion of propriety objective painting paradox particular philosophical discourse philosophical style philosophy pictorial poetry political possible Quatremère Quatremère de Quincy question of style realise recognise reflection relation revealed rhetorical Richard Wollheim satire Schwitters sense stage structure stylistic canons taste theatre theatrical theory tion Tocqueville Tocqueville's traditional truth understanding University Press values Vitruvianism William William Hogarth Wittgenstein Wölfflin words writing