Dialects for the StageRoutledge, 2006 M02 28 - 170 páginas Dialect work is one of the actor's most challenging tasks. Need to know a Russian accent? Playing a German countess or a Midwestern farmhand? These and more accents – from Yiddish to French Canadian – are clearly explained in Evangeline Machlin's classic work. Now available in a book-and-downloadable resources format, Evangeline Machlin's Dialects for the Stage is based on a method of dialect acquisition she developed during her years working with students at Boston University's Division of Theatre. During her long career, Evangeline Machlin trained such actors as Steve McQueen, Lee Grant, Suzanne Pleshette, Joanne Woodward, and Faye Dunaway. |
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... speech forms of English used by native speakers of English. The term “accent ... British dialect group and a group of European accents. Two black African ... British, several of whom use “received English,” as it used to be called. None ...
... speech forms of English used by native speakers of English. The term “accent ... British dialect group and a group of European accents. Two black African ... British, several of whom use “received English,” as it used to be called. None ...
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... speech examples, North American and British, are included for two reasons. First, a Canadian or an American actor often needs to use “cultivated” British speech, while British actors frequently need to appear in American or Canadian ...
... speech examples, North American and British, are included for two reasons. First, a Canadian or an American actor often needs to use “cultivated” British speech, while British actors frequently need to appear in American or Canadian ...
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... English syllables. It happens in French-accented English. “There is a rhythm, a ... speech, like a well-worn coat. This effort may take one week; it may take ... British ones. Ignore this feeling, and push on till the new • Dialects for ...
... English syllables. It happens in French-accented English. “There is a rhythm, a ... speech, like a well-worn coat. This effort may take one week; it may take ... British ones. Ignore this feeling, and push on till the new • Dialects for ...
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Contenido
1 | |
7 | |
Part Three Steps in the PlayItandSayIt Method of Learning Dialects | 15 |
Part Four North American Dialects | 21 |
North American and British | 71 |
Part Six Dialects of Great Britain and Ireland | 85 |
Part Seven European Accents | 113 |
Part Eight Symbols and Sounds of the International Phonetic Alphabet | 141 |
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Términos y frases comunes
AA’M African Alan Jay Lerner BLACK AMERICAN British speech Character Notes Cockney Colloquialisms and Idioms Consonant Changes STANDARD CUUM dialect drawl DUNACCHADEE EET’S English Eugene O’Neill examples FRENCH ACCENT French Canadian German accent goin gonna Gratien Gélinas HAOWSE hear heard HERRBIE HEYUH Howard Sackler improvisation inflection patterns inflections International Phonetic Alphabet Irish ITALIAN ACCENT KIITCHEN LAAK lilt Listen Marian Seldes Mexican Midwestern mule nasalized North British Patrick Tucker Peter Peter Ustinov pitch Play and say Pronunciation and Character Pronunciation Notes RAAT record respelled Robert Reznikoff Robin Bartlett role RUSSIAN ACCENT Scottish sentences Short i becomes sound changes Southern Southwestern speak Speaker spelled STANDARD BRITISH STANDARD NORTH AMERICAN STHRANGER syllables TAAM tell Tennessee Williams theatre THEES there’s thing trilled vowel vowel and consonant Vowel Changes STANDARD Welsh what’s words YANKEE Yeah Yiddish YORK-BROOKLYNESE yuh know