Icon and Devotion: Sacred Spaces in Imperial Russia

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Reaktion Books, 2002 - 416 páginas
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated with miniature paintings, lithographs and engravings never before published in the English-speaking world.

By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.

Dentro del libro

Contenido

Foreword by Robin MilnerGulland 9
23
The Sacred in the Everyday
37
Dispute about Signs Dispute about Faith
119
In a World without Grace
143
THE ICON AND POPULAR CULTURE
199
The Middle Ages Delayed
301
Icons and Popular Art
345
Derechos de autor

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Acerca del autor (2002)

Oleg Tarasov is Senior Research Fellow in the Department of Cultural History of the Institute of Slavic Studies (Russian Academy of Sciences), Moscow. He has written extensively on icons, painting and cultural history.

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