Tools and Techniques for Character Interpretation: A Handbook of Psychology for Actors, Writers, and DirectorsLimelight Editions, 2006 - 325 páginas A must for both the aspiring and seasoned artist. Uniquely geared to the work of theatre and film artists, this book, for the first time, sets out clearly and concisely the ideas, principles, and character typology of various psychological schools from Freudian, Kleinian, and Jungian to contemporary developments. The practical uses and applications of their theories are graphically demonstrated throughout the book by means of numerous examples and in-depth analyses drawn from classic and contemporary theatrical and cinematic literature. Stanislavskian methods are also discussed. An immensely useful, essential tool for character creation and analysis. Features a foreword by noted acting teacher Alice Spivak. |
Dentro del libro
Resultados 1-3 de 92
Página xiii
... actor is never free to experiment . What caused his or her tears , for instance , has to be protected for the long run of the play , or else they will dry up — that is to say if the actor can remember what he or she used to begin with ...
... actor is never free to experiment . What caused his or her tears , for instance , has to be protected for the long run of the play , or else they will dry up — that is to say if the actor can remember what he or she used to begin with ...
Página 6
... actor will find something new that no other actor has found or could find before and will infuse the character with new life . That is why we can enjoy watching Hamlet or Ophelia interpreted by so many different actors , and why we can ...
... actor will find something new that no other actor has found or could find before and will infuse the character with new life . That is why we can enjoy watching Hamlet or Ophelia interpreted by so many different actors , and why we can ...
Página 309
... Actor on the Technique of Acting . With a preface by Yul Brynner . New York : Harper & Row , 1953 . Funke , Lewis and John E. Booth . Actors Talk About Acting . 2 vols . New York : Avon Books , 1961. [ Interviews with John Gielgud ...
... Actor on the Technique of Acting . With a preface by Yul Brynner . New York : Harper & Row , 1953 . Funke , Lewis and John E. Booth . Actors Talk About Acting . 2 vols . New York : Avon Books , 1961. [ Interviews with John Gielgud ...
Contenido
SIGMUND Freud Father OF PSYCHOANALYSIS | 13 |
ANNA Freud | 71 |
MELANIE Klein and OBJECTRELATIONS THEORY | 89 |
Derechos de autor | |
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Tools and Techniques for Character Interpretation: A Handbook of Psychology ... Robert Blumenfeld Vista previa limitada - 2006 |
Términos y frases comunes
actor actually adult aggressive ambivalence analysis Anna Freud anxiety Astrov attitudes behave behavior cathected character character's Chekhov child childhood compulsive conflict consciousness deal deeply defense mechanism desire disorder dream emotional experience external fantasy father fear feelings felt film Freud Freudian function Groddeck guilt Hamlet hate Hedda Hedda Gabler homosexual hysterical impulses individual internal interpretation involved Jews Jung Kulygin libidinal lives Marquis masochistic means mental Morris Carnovsky mother murder narcissism narcissistic neurosis neurotic Nora object obsessed Oedipal Oedipus complex Oscar Wilde Othello parents Passive-aggressive behavior patient perceived person physical play psychoanalysis psychology psychopathic punishment reactions reality Reich relationship repressed result role says scene script sense sexual Shylock Sigmund Freud simply situation social someone story superego symptoms talk theory therapy things thinking thought Tom Ripley Torvald traits Uncle Vanya unconscious Uta Hagen Vanya Wilde wish writing Yelena
Referencias a este libro
How to Rehearse when There is No Rehearsal: Acting and the Media Alice Spivak,Robert Blumenfeld Vista de fragmentos - 2007 |
How to Rehearse when There is No Rehearsal: Acting and the Media Alice Spivak Vista previa limitada - 2007 |