Tools and Techniques for Character Interpretation: A Handbook of Psychology for Actors, Writers, and DirectorsLimelight Editions, 2006 - 325 páginas A must for both the aspiring and seasoned artist. Uniquely geared to the work of theatre and film artists, this book, for the first time, sets out clearly and concisely the ideas, principles, and character typology of various psychological schools from Freudian, Kleinian, and Jungian to contemporary developments. The practical uses and applications of their theories are graphically demonstrated throughout the book by means of numerous examples and in-depth analyses drawn from classic and contemporary theatrical and cinematic literature. Stanislavskian methods are also discussed. An immensely useful, essential tool for character creation and analysis. Features a foreword by noted acting teacher Alice Spivak. |
Dentro del libro
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Página 87
... actually a form of persistent neurotic resignation , because no action is taken . Instead , the rebellious person , repressing the knowledge that nothing is actually being done , appears to be engaged in action . Rebelliousness can ...
... actually a form of persistent neurotic resignation , because no action is taken . Instead , the rebellious person , repressing the knowledge that nothing is actually being done , appears to be engaged in action . Rebelliousness can ...
Página 153
... actually his sister who recorded the sound track . In addition to training three hours a day and practicing , he studied the habits , gestures , and demeanor of famous pianists available on video - at one point in the film , we actually ...
... actually his sister who recorded the sound track . In addition to training three hours a day and practicing , he studied the habits , gestures , and demeanor of famous pianists available on video - at one point in the film , we actually ...
Página 242
... actually Desdemona , of whom he is insanely jealous , who is his intended victim . He hates her because Othello loves her , and Iago wants Othello to love him . Iago will destroy them both , and in doing so , destroy his own ...
... actually Desdemona , of whom he is insanely jealous , who is his intended victim . He hates her because Othello loves her , and Iago wants Othello to love him . Iago will destroy them both , and in doing so , destroy his own ...
Contenido
SIGMUND Freud Father OF PSYCHOANALYSIS | 13 |
ANNA Freud | 71 |
MELANIE Klein and OBJECTRELATIONS THEORY | 89 |
Derechos de autor | |
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Tools and Techniques for Character Interpretation: A Handbook of Psychology ... Robert Blumenfeld Vista previa limitada - 2006 |
Términos y frases comunes
actions actor actually adult affection analysis anxiety appear attitudes become beginning behave behavior believe called character character's child childhood complex consciousness course deal death deeply described desire directed disorder dream early emotional existence experience expression external fact father fear feelings felt film Freud function give guilt Hamlet human idea important includes individual instance internal interpretation involved kind later lives look means mind mother nature neurosis neurotic never object original parents particular patient perceived perhaps person physical play position problems psychoanalysis psychology psychopathic punishment questions reactions reality reasons relationship remains repressed response result role says scene sense sexual simply situation social someone sometimes stage story talk tells theory things thinking thought unconscious understand usually Vanya Wilde wish writing York
Referencias a este libro
How to Rehearse when There is No Rehearsal: Acting and the Media Alice Spivak,Robert Blumenfeld Vista de fragmentos - 2007 |
How to Rehearse when There is No Rehearsal: Acting and the Media Alice Spivak Vista previa limitada - 2007 |