Tools and Techniques for Character Interpretation: A Handbook of Psychology for Actors, Writers, and DirectorsLimelight Editions, 2006 - 325 páginas A must for both the aspiring and seasoned artist. Uniquely geared to the work of theatre and film artists, this book, for the first time, sets out clearly and concisely the ideas, principles, and character typology of various psychological schools from Freudian, Kleinian, and Jungian to contemporary developments. The practical uses and applications of their theories are graphically demonstrated throughout the book by means of numerous examples and in-depth analyses drawn from classic and contemporary theatrical and cinematic literature. Stanislavskian methods are also discussed. An immensely useful, essential tool for character creation and analysis. Features a foreword by noted acting teacher Alice Spivak. |
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Página 148
... interpretation . Yet the smile is strikingly in evidence all the time , even when the patient clearly is uncomfortable . Eventually , the smile is interpreted : It first represented an " attempt at conciliation " with his mother over an ...
... interpretation . Yet the smile is strikingly in evidence all the time , even when the patient clearly is uncomfortable . Eventually , the smile is interpreted : It first represented an " attempt at conciliation " with his mother over an ...
Página 238
... interpretation , I have always been left with the old idea that Shylock is crazy and villainous . This was something that emerged in Laurence Olivier's effective if undignified and jovial , almost comic interpretation ( until his tragic ...
... interpretation , I have always been left with the old idea that Shylock is crazy and villainous . This was something that emerged in Laurence Olivier's effective if undignified and jovial , almost comic interpretation ( until his tragic ...
Página 248
... interpretation was a narcissistic egotist . Carnovsky was so funny from his first entrance on , and one laughed so heartily , that one anticipated his future entrances with delight . When he first came on , he looked all around him ...
... interpretation was a narcissistic egotist . Carnovsky was so funny from his first entrance on , and one laughed so heartily , that one anticipated his future entrances with delight . When he first came on , he looked all around him ...
Contenido
SIGMUND Freud Father OF PSYCHOANALYSIS | 13 |
ANNA Freud | 71 |
MELANIE Klein and OBJECTRELATIONS THEORY | 89 |
Derechos de autor | |
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Tools and Techniques for Character Interpretation: A Handbook of Psychology ... Robert Blumenfeld Vista previa limitada - 2006 |
Términos y frases comunes
actor actually adult aggressive ambivalence analysis Anna Freud anxiety Astrov attitudes behave behavior cathected character character's Chekhov child childhood compulsive conflict consciousness deal deeply defense mechanism desire disorder dream emotional experience external fantasy father fear feelings felt film Freud Freudian function Groddeck guilt Hamlet hate Hedda Hedda Gabler homosexual hysterical impulses individual internal interpretation involved Jews Jung Kulygin libidinal lives Marquis masochistic means mental Morris Carnovsky mother murder narcissism narcissistic neurosis neurotic Nora object obsessed Oedipal Oedipus complex Oscar Wilde Othello parents Passive-aggressive behavior patient perceived person physical play psychoanalysis psychology psychopathic punishment reactions reality Reich relationship repressed result role says scene script sense sexual Shylock Sigmund Freud simply situation social someone story superego symptoms talk theory therapy things thinking thought Tom Ripley Torvald traits Uncle Vanya unconscious Uta Hagen Vanya Wilde wish writing Yelena
Referencias a este libro
How to Rehearse when There is No Rehearsal: Acting and the Media Alice Spivak,Robert Blumenfeld Vista de fragmentos - 2007 |
How to Rehearse when There is No Rehearsal: Acting and the Media Alice Spivak Vista previa limitada - 2007 |