Tools and Techniques for Character Interpretation: A Handbook of Psychology for Actors, Writers, and DirectorsLimelight Editions, 2006 - 325 páginas A must for both the aspiring and seasoned artist. Uniquely geared to the work of theatre and film artists, this book, for the first time, sets out clearly and concisely the ideas, principles, and character typology of various psychological schools from Freudian, Kleinian, and Jungian to contemporary developments. The practical uses and applications of their theories are graphically demonstrated throughout the book by means of numerous examples and in-depth analyses drawn from classic and contemporary theatrical and cinematic literature. Stanislavskian methods are also discussed. An immensely useful, essential tool for character creation and analysis. Features a foreword by noted acting teacher Alice Spivak. |
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Página 76
... thinking and undoing . The believers who flock to her séances are also deeply troubled . Compulsive phobic behavior is also based on magical thinking or undoing : those who are terrified of bad luck brought on by spilling salt will toss ...
... thinking and undoing . The believers who flock to her séances are also deeply troubled . Compulsive phobic behavior is also based on magical thinking or undoing : those who are terrified of bad luck brought on by spilling salt will toss ...
Página 118
... Thinking Type ( Rational ) : Like some thinking introverts , this type appears repressed and lacking in feeling , arrogant and cold . They think they understand the world and can control it , and they expect everyone else to go along ...
... Thinking Type ( Rational ) : Like some thinking introverts , this type appears repressed and lacking in feeling , arrogant and cold . They think they understand the world and can control it , and they expect everyone else to go along ...
Página 249
... thinking , despite his philosophical discourses on the nature of man . Although critics often emphasize the thinking side of the character , I would say that Hamlet does not really think . He only appears to do so . But what is the ...
... thinking , despite his philosophical discourses on the nature of man . Although critics often emphasize the thinking side of the character , I would say that Hamlet does not really think . He only appears to do so . But what is the ...
Contenido
SIGMUND Freud Father OF PSYCHOANALYSIS | 13 |
ANNA Freud | 71 |
MELANIE Klein and OBJECTRELATIONS THEORY | 89 |
Derechos de autor | |
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Tools and Techniques for Character Interpretation: A Handbook of Psychology ... Robert Blumenfeld Vista previa limitada - 2006 |
Términos y frases comunes
actions actor actually adult affection analysis anxiety appear attitudes become beginning behave behavior believe called character character's child childhood complex consciousness course deal death deeply described desire directed disorder dream early emotional existence experience expression external fact father fear feelings felt film Freud function give guilt Hamlet human idea important includes individual instance internal interpretation involved kind later lives look means mind mother nature neurosis neurotic never object original parents particular patient perceived perhaps person physical play position problems psychoanalysis psychology psychopathic punishment questions reactions reality reasons relationship remains repressed response result role says scene sense sexual simply situation social someone sometimes stage story talk tells theory things thinking thought unconscious understand usually Vanya Wilde wish writing York
Referencias a este libro
How to Rehearse when There is No Rehearsal: Acting and the Media Alice Spivak,Robert Blumenfeld Vista de fragmentos - 2007 |
How to Rehearse when There is No Rehearsal: Acting and the Media Alice Spivak Vista previa limitada - 2007 |