Tools and Techniques for Character Interpretation: A Handbook of Psychology for Actors, Writers, and DirectorsLimelight Editions, 2006 - 325 páginas A must for both the aspiring and seasoned artist. Uniquely geared to the work of theatre and film artists, this book, for the first time, sets out clearly and concisely the ideas, principles, and character typology of various psychological schools from Freudian, Kleinian, and Jungian to contemporary developments. The practical uses and applications of their theories are graphically demonstrated throughout the book by means of numerous examples and in-depth analyses drawn from classic and contemporary theatrical and cinematic literature. Stanislavskian methods are also discussed. An immensely useful, essential tool for character creation and analysis. Features a foreword by noted acting teacher Alice Spivak. |
Dentro del libro
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Página 59
... thought there was an equivalence between obsessional neurotic symptoms and religious rituals and practices . In An Autobiographical Study ( 1935 ) , he says that these rituals are a precipitate of primeval experience from the dawn of ...
... thought there was an equivalence between obsessional neurotic symptoms and religious rituals and practices . In An Autobiographical Study ( 1935 ) , he says that these rituals are a precipitate of primeval experience from the dawn of ...
Página 129
... thought Freud's emphasis not only overdone but also class based . Adler had worked with members of the laboring class , and he thought socioeconomic factors very important indeed in determining psychosocial development . Freud had been ...
... thought Freud's emphasis not only overdone but also class based . Adler had worked with members of the laboring class , and he thought socioeconomic factors very important indeed in determining psychosocial development . Freud had been ...
Página 191
... thought responses , and where do they come from ? What is the core thought that gives rise to them ? compensation / overcompensation : making up for some loss or absence , or perceived deficiency or shortcoming . For Freud ...
... thought responses , and where do they come from ? What is the core thought that gives rise to them ? compensation / overcompensation : making up for some loss or absence , or perceived deficiency or shortcoming . For Freud ...
Contenido
SIGMUND Freud Father OF PSYCHOANALYSIS | 13 |
ANNA Freud | 71 |
MELANIE Klein and OBJECTRELATIONS THEORY | 89 |
Derechos de autor | |
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Tools and Techniques for Character Interpretation: A Handbook of Psychology ... Robert Blumenfeld Vista previa limitada - 2006 |
Términos y frases comunes
actor actually adult aggressive ambivalence analysis Anna Freud anxiety Astrov attitudes behave behavior cathected character character's Chekhov child childhood compulsive conflict consciousness deal deeply defense mechanism desire disorder dream emotional experience external fantasy father fear feelings felt film Freud Freudian function Groddeck guilt Hamlet hate Hedda Hedda Gabler homosexual hysterical impulses individual internal interpretation involved Jews Jung Kulygin libidinal lives Marquis masochistic means mental Morris Carnovsky mother murder narcissism narcissistic neurosis neurotic Nora object obsessed Oedipal Oedipus complex Oscar Wilde Othello parents Passive-aggressive behavior patient perceived person physical play psychoanalysis psychology psychopathic punishment reactions reality Reich relationship repressed result role says scene script sense sexual Shylock Sigmund Freud simply situation social someone story superego symptoms talk theory therapy things thinking thought Tom Ripley Torvald traits Uncle Vanya unconscious Uta Hagen Vanya Wilde wish writing Yelena
Referencias a este libro
How to Rehearse when There is No Rehearsal: Acting and the Media Alice Spivak,Robert Blumenfeld Vista de fragmentos - 2007 |
How to Rehearse when There is No Rehearsal: Acting and the Media Alice Spivak Vista previa limitada - 2007 |