Painting in Florence and Siena After the Black Death: The Arts, Religion, and Society in the Mid-fourteenth CenturyPrinceton University Press, 1978 - 195 páginas The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events. |
Índice
V | 9 |
VI | 14 |
VII | 16 |
VIII | 27 |
IX | 38 |
X | 44 |
XI | 55 |
XII | 59 |
XVIII | 74 |
XX | 141 |
XXI | 141 |
XXII | 141 |
XXIII | 145 |
XXIV | 157 |
XXV | 166 |
XXVI | 168 |
Otras ediciones - Ver todo
Painting in Florence and Siena After the Black Death: The Arts, Religion ... Millard Meiss Vista previa restringida - 1978 |
Términos y frases comunes
Academy altar altarpiece Ambrogio Lorenzetti Andrea da Firenze Andrea Vanni appears Arena Chapel Art Bulletin Assisi Barna Bartolo di Fredi Berenson Berlin Bernardo Daddi Black Death Boccaccio Bologna Catherine of Alexandria chap Child Christ Church collection Collegiata Colombini composition Croce Crucifixion Dominican Dugento Duomo earlier examples fifteenth century figures Florence Florentine painting follower fourteenth century Francesco Francis Franciscan Fraticelli fresco frontal Gimignano Giotto Giovanni da Milano Giovanni del Biondo guild Italian Jacopo di Cione Joachim Last Judgment later legend loc.cit London Luca di Tommè Madonna of Humility Marle Master miniature Museo Civico National Gallery Niccolò Offner op.cit Orcagna painters panel Paolo Passavanti period Pietro Pinacoteca Pisa plague polyptych predella priest religious representations represented S. M. Novella saints San Michele scene seated similar Simone Martini Simonesque Spanish Chapel Storia Strozzi altarpiece style Taddeo Gaddi third quarter tion Trecento triptych Tuscan Uffizi Vanni Villani Virgin
Pasajes populares
Página 5 - Credette Cimabue nella pittura Tener lo campo, ed ora ha Giotto il grido, SI che la fama di colui oscura.
Página 5 - Cimabue thought to hold the field in painting, and now Giotto has the cry, so that the fame of him is obscured.
Página 5 - Ben non sare' io stato sì cortese mentre ch'io vissi, per lo gran disio de l'eccellenza ove mio core intese. Di tal superbia qui si paga il fio; e ancor non sarei qui, se non fosse che, possendo peccar, mi volsi a Dio. Oh vana gloria de l'umane posse! com' poco verde in su la cima dura, se non è giunta da l'etati grosse!
Referencias a este libro
Before the Industrial Revolution: European Society and Economy, 1000-1700 Carlo M. Cipolla No hay ninguna vista previa disponible - 1993 |
The Boundaries of Eros: Sex Crime and Sexuality in Renaissance Venice Guido Ruggiero Vista previa restringida - 1989 |