British Literature: From Blake to the present day, edited by H. Spencer, W.E. Houghton, and H. Barrows |
Dentro del libro
Resultados 1-3 de 73
Página 13
This does not mean that Keats's poetry , or Romantic poetry in general under this
motivation , presents merely “ beautiful idealisms . ” Sometimes , to be sure , it
does ; the poet seems unable to face the ugliness of the world , and he makes a ...
This does not mean that Keats's poetry , or Romantic poetry in general under this
motivation , presents merely “ beautiful idealisms . ” Sometimes , to be sure , it
does ; the poet seems unable to face the ugliness of the world , and he makes a ...
Página 391
He sees the past in a series of scenes , complete with dialogue and stage setting
( see the selections from Book II of Past and Present , below ) . In one respect ,
however , these two historians are radically different . Because Çarlyle saw the ...
He sees the past in a series of scenes , complete with dialogue and stage setting
( see the selections from Book II of Past and Present , below ) . In one respect ,
however , these two historians are radically different . Because Çarlyle saw the ...
Página 743
These , however , have no right present day appear to entertain against subjects
chosen to demand of a poetical work that it shall satisfy from distant times and
countries : against the choice , them ; their claims are to be directed elsewhere .
in ...
These , however , have no right present day appear to entertain against subjects
chosen to demand of a poetical work that it shall satisfy from distant times and
countries : against the choice , them ; their claims are to be directed elsewhere .
in ...
Comentarios de la gente - Escribir un comentario
Crítica de los usuarios - Marcar como inadecuado
The philosophy contained within is enough to keep me busy for a lifetime
Contenido
ODE ON MELANCHOLY | 12 |
ADDRESS TO THE UNCO GUID OR | 35 |
A GROUP OF LESSER ROMANTICS | 38 |
Derechos de autor | |
Otras 47 secciones no mostradas
Términos y frases comunes
appeared beauty become believe better called century character Coleridge death dream earth effect England English existence eyes face fact fair father fear feel give hand happy head hear heart Heaven hope hour human idea imagination important individual interest Italy kind knowledge lady leave less liberal light living look means mind moral nature never night o'er object once opinion pain passed passion perhaps persons philosophy play pleasure poem poet poetry political poor present principle reason rest round seemed sense society soul sound speak spirit strong sweet tell thee things thou thought true truth turn University whole wind write young