Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
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... Hegel was not the focus of the lecture series , Lask's published works on Kant , Fichte , and other pre - Hegelian philosophers are punctuated by frequent references to Hegel , who was then enjoying a renaissance at Heidelberg and ...
... Hegel compares this history with a Pantheon filled with images of gods.31 Lask insists that Hegel's concern for history is far removed from the " glorification of the past " typical of certain " Romantic and Restoration [ thinkers ] ...
... Hegel have recently been consigned to the dustbin by Domenico Losurdo's grand philo- logical study of the philosopher , which paints a far more nuanced picture of Hegel's politics than we have hitherto had . In particular , Losurdo ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |