Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
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From Wordsworth to Mandelstam John Kenneth MacKay. now become subjectively independent creates a new poetic world of ... becomes increasingly difficult to fill with any legitimate con- tent , the firm distinction between " new poetic ...
... becomes a political act , in the sense of gesturing toward , or perhaps performing , a community.11 *** I suggested in ... become axiomatic for the new order . The result , judging from much of the most powerful poetry of the period , is ...
... become signs of history , which have to be deciphered . So the poet becomes not only a naturalist or an archaeologist , excavating the fossils and unpack- ing their poetic potential . He also becomes a kind of symptomatologist , delving ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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