Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dentro del libro
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... beginning of Leaves of Grass ) INSCRIPTION , DESCRIPTION THIS BOOK ON LYRIC POETRY DOES not have as its FOCUS OR CENTRAL method a number of the ( important and entirely legitimate ) questions and approaches commonly applied to lyric ...
... Beginning in the late eighteenth century , and under the impact of both the Kantian epistemo- logical revolution and emergent physiological science , Crary argues , this matrix is at once de - centered and corporealized : In the ...
... beginning of the nine- teenth century , also a time of revolutions , European wars , and the stormy rise of Romantic and utopian idealism . This similarity prompted thoughts of a new beginning that would repeat , on the principle of a ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
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