Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dentro del libro
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... called the expression of ] the pure identity of the particular and the totality : that is , the mathe- matical formula or construction . We can think [ of this construction ] as a formula [ expressed ] within the forms of discrete ...
... called a new sensorium : it seems too temporary , too discontinuous , too detached from time and space to carry any promise of “ a new world , " much less any repeal of “ large codes of fraud and woe . " To this extent , the autonomy of ...
... called ) the literary , there would seem to be lit- tle room for projective thinking as we have been discussing it ; the writer as " individual " has been as biographically compromised as everyone else . Indeed , " it is obvious ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |