Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
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... described , nor the prospect itself inscribed as a posi- tion others might potentially occupy ? All commentators , whatever their other disagreements , maintain that the prospective matrix of Shelley's poem serves to frame a meditation ...
... described - in contrast to , say , what we see in classic pastoral descriptions like Lamartine's " Les Laboureurs , " where land and laborer meet in perfect coherence . Whether beggar , worker , or simply inhabitant , Baudelaire's old ...
... described in entirely corporeal / somatic terms , in a manner we have already seen suggested in our Proust example ( on the " cave " of memory ) in chapter 1. Meanwhile the corporeal , in its own right , is clearly being flattened into ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
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