Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
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... experience which the passer - by has in the crowd corresponds to what the worker " experiences " at his machine.8 In Walter Benjamin's dense , idiosyncratic essays on Baudelaire's poetry , lyric poems are considered as products of and ...
... experience recounted by the poet can hardly be called a new sensorium : it seems too temporary , too discontinuous , too detached from time and space to carry any promise of “ a new world , " much less any repeal of “ large codes of ...
... experience of the commodity to an allegorical experience . In this , he was doomed to founder , and it became clear that relentlessness of his initiative was exceeded by the relentlessness of reality . Hence a strain in his work that ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |