Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dentro del libro
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... less grounded in social function than in an apparently religious faith , inasmuch as he finds the motivation for ... less could we have any wish to be remembered after we had passed away from a world in which each man had moved about ...
... less sympathetic reader than I might even find some foretaste of the " trite " ( in the sense of mass - pro- duced art ) in Wordsworth's own locodescription here , nearly objectified as it is into a static emblem . In contrast to ...
... less the ability of indi- viduals to triumph within an antagonistic system than the way such tri- umphs reinforce ... less and less socially effec- tive . Napoleon is representative of a transitional period that has now found its ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |