Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dentro del libro
Resultados 1-3 de 54
... Lines Left upon a Seat in a Yew - tree " ( ca. 1797 ) and the beginnings of many of his other inscrip- tions . Yet , relative to Clare's lines , Wordsworth's seem post facto rather than the registration of immediate sensation , or of ...
... lines - lines at once grim and ridiculous - is unmistakable . A portion of consciousness , that link between " collective and individual " pasts underlying earlier modes of experience , has been converted into a thing related to memory ...
... line is the tool used to build Notre Dame , but who / what builds it ? The previous line of the schema provides a possi- ble answer , of course , in the shape of that " foreign people " legislated into existence by Rome , now craftsmen ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |