Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dentro del libro
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... memory here is a hori- zontal laying out of past and present moments , memory's content is filled out by that sequence of caves that give some material setting and perimeter to the out - of - place waking subject . It turns out that ...
... memory ; and we might say that the critic's role is a memorial one as well , as he or she " re - calls " the text to its source . " Yet the analogy of memory to guide is not perfect , for memory is more than a nostalgic and ...
... memory ( in Benjamin's experiential sense of Erlebnis ) becomes the realm of the residual , ast here in the iconic ... memory is felt as a burden ; that the poet is not “ a thousand years old " suggests that his memory is prematurely ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |