Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
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... moral essence of “ passions not his own " and convinced of their importance , opts for the posterity of aesthetic education rather than for a more local audience ( or alliance ) . This said , we notice immediately a strange conjuncture ...
... moral significance of his insis- tence on describing landscape from high viewpoint is best understood.23 Barrell directly links the structure of the prospect poem to the processes of enclosure : as the prospect - poet represented ...
... moral proverbs to the events they com- memorate.1 It is a changing record , one that obscures nature but also , perhaps , grows in accord with nature's own changes . “ [ O ] n the banks of this delightful stream / We stood together ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |