Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
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... moves relentlessly onward or downward to ever more denuded levels of matter and material force . Power is finally no more than the poet's chosen name for the corporeal but one that at least gives something like depth or perspective to a ...
... move from one of the lively particulars to another . How , indeed , does a poem " advance " at all ? It is at this ... moving point of intersection between imagination and what it dis- avows . Indeed , it might turn out that the poem's ...
... moving away from a study of subjectivity through mere “ objec- tification of [ mental ] representations ” to a “ humanized science , " which examines things mental not only as " objective given [ s ] of conscious- ness " but as " human ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |