Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
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... nature ” —the scare quotes are meant to point up the notion as ideological - is an important and dialectical notion in Benjamin . 16 Many philosophers of the metropolis , like Georg Simmel , stress the abstraction and " intellectuality ...
... nature . For this reason , Benjamin's notebook com- parison of the old men with " chorus girls " strikes me as too ... nature of the " cortège " is also indeterminate . The relentless , irrational , forward march of modernizing ...
... Nature Poetry , " pp . 42-44 ; and idem , " Romantic Poetry and the Genius Loci , " in Beyond Formalism : Literary Essays 1958–1970 ( New Haven : Yale University Press , 1970 ) , pp . 311–36 . 7. See Robert Arnold Aubin's fascinating ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |