Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
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... once reconciled both with ( English ) everyday life and with the agenda of aesthetic edu- cation : he is of this place , attractive and unforbidding ; his story can lead us to contemplate " the heart of man , and human Life " ; and this ...
... once enjoys general comprehensibility : [ T ] he most concentrated deep feeling of the heart can be expressed in folk - song , [ but ] what is made recognizable in such poetry is not a single individual poet with his own peculiar manner ...
... once grim and ridiculous - is unmistakable . A portion of consciousness , that link between " collective and individual " pasts underlying earlier modes of experience , has been converted into a thing related to memory only as the ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |